The trouble with 2.22 is that it got bogged down in odd scenes that were going for a sort of Tarantino noir or suburban domestica after wetting the audience's appetite with daring deeds to come. And the cameras they used seemed tinted unnecessarily. I've given this movie a 6 for these reasons, but it's not a stupid movie. It's worth a look if you like portrayals of 'honest crime'.

Although the introduction was a bit long, I won and when the assault actually begins, the film also engages and becomes a great suspense, with some good scenes of shots, punches, threats and chases, crime doesn't always pay off, great plot...

A heist movie that has some style but the disjointed editing and the unbelievable premise smear the situation so that the view is overcast and the place is overly populated. The setting is just not believable and is an imposing impediment.

Some quirky characters and visual gymnastics are a treat, but there is some superficial spoiling. There probably are a few to many psyches on display here that in the final analysis it's like a diagnosis dialed back from a 1-900 psychologist.

This has pieces of talent at work and some artistic flair. However, while the initial viewing is visceral enough, the complete work will eventually melt away like ice on a windshield.

A good effort from a low-budget crew and a feeling of better things to come.