This entertaining bit of froth stands up well, as Robert Morse, the neighborhood Lothario, attempts to instruct Walter Matthau in the How-To's of philandery (why he should be interested in philandery when he is married to the incredibly built Inger Stevens is an unexplained mystery). Of course the many delicious cameos by such as Phil Silvers, Sid Caesar, Jack Benny, Joey Bishop, et. al. keep the film bouncing merrily along. Well worth a see.

Walter Matthau has great fun in his role of a husband experiencing the "seven-year itch" who tries to learn the ropes of philandering by a co-worker buddy and expert adulterer (Robert Morse). Aided and abetted by a host of guest stars in flashback who offer the "do's" and "don't's" of extramarital affairs, our novice soon learns that cheating is a serious and very technical business. One misstep or a brief lapse of judgment...and it can be curtains for Casanova.

Matthau manages to keep the potentially smarmy material light and engaging while Morse is wickedly humorous as the no-nonsense "big brother." Of the numerous cautionary "lessons" offered by the guest stars, Joey Bishop, Ann Morgan Guilbert, Terry-Thomas and Jayne Mansfield manage to grab the biggest yuks in their brief scenes.

The irony of it all is that the late Inger Stevens, who plays Matthau's wife, is a spectacularly beautiful dish who, in my mind, has it all over the bump-and-grind shennanigans of Sue Ane Langdon and/or tawdry allure of Elaine Devry. Why Matthau's character would even consider cheating on the best looking femme in the picture is beyond me.

Nevertheless, relax and enjoy these comedy pros at work, guided by the assured hand of dancer-turned-director Gene Kelly.

Gene Kelly, who directed this film, was a man that understood clearly timing and movement, as his distinguished career demonstrates. Being behind the camera gives him the opportunity to have his players to put into practice some of his ideas and the result is a film that is a lot of fun and doesn't appear too dated.

What Mr. Kelly accomplished with this film was bringing together two charismatic performers at the top of their form. Walter Matthau had been seen in lots of supporting roles before, but as Paul Manning, the bored husband looking for ways of having fun on the side, he is wonderful. The same could be said about Robert Morse, who had been on the New York stage and in other movies. Mr. Morse makes a fantastic contribution with his take of Ed Stander, the man who knew about how to go after the women he wanted without regard of the consequences.

Ed Stander puts a bug in Paul Manning's brain about how to have fun away from home. The only thing is, Paul is a man with a normal marriage with an adoring wife, who would not even contemplate in reciprocating what he is trying to do if he follows Ed's advice.

The other amazing thing in the film is the different vignettes that are seen throughout the movie. Some of the best and most accomplished actors working in Hollywood have a small part in cameo appearances that illustrate points that Ed would like Paul to put into practice. This way we get to see actors of the caliber of Lucille Ball, Art Carney, Jack Benny, Joey Bishop, Louis Nye, Jayne Mansfield, Phil Silvers, and others playing the dream-like sequences.

"A Guide for the Married Man" is a film worthy of our time since it takes us back to a more innocent period. Thanks to Mr. Kelly's inspired direction, the film will always be a favorite of mature fans.