I must have seen this back in the 1990's and I remember how it made me feel good back then. So on the other day I was looking for something to watch and there were those blockbuster movies and I wasn't in the mood to see a Marvel or DC superhero tear up a city while ignoring the countless civilian casualties. I decided to watch something from my own youth and I remembered this little gem and I have to say that it has aged very well and would not need to do a remake. Considering that this movie is based on a novel that is over a hundred years old is a testament to how good it is. Steve Martin plays a serious role but his sense of humour bleeds out and manages to make you smile.

I missed the first two or three minutes that would have included the credits and so did not realize that I would be watching George Eliot's moving novel. Although the movie was thoroughly modernized it took very little time for me to realize what I was watching. -- Much to my surprise and delight. I felt that George Eliot would have loved this movie. I give it a strong recommendation if you have read "Silas Marner". Those who have not, though, may find it contrived.

Michael McCann (Steve Martin)'s pregnant wife leaves him after telling him that the baby isn't his. He becomes a recluse who collects gold coins for stability. John Newland (Gabriel Byrne) is an ambitious politician with a proper wife Nancy (Laura Linney), an unreliable brother Tanny (Stephen Baldwin) and baby mama Marsha Swanson. John tries to buy Marsha off. After a car accident, Tanny runs off with the money and steals McCann's gold coins. Marsha ends up frozen to death in front of McCann's house leaving him with the girl. John Newland hides from his responsibility and McCann adopts her as Mathilda McCann. April Simon (Catherine O'Hara) is McCann's friendly neighbor.

Steve Martin adapts 19th-century novelist George Eliot's book Silas Marner. The film has a sad surrealism which may not fit Steve Martin's public persona. The biggest problem is that the script struggles to bend the plot to fit. There is a bit too much happenstance and coincidences. The emotions and motives are sometimes awkward and wrong-headed. The movie does have some great moments of comedy and warmth that is reminiscent of Parenthood. The dramatic parts of the story needs a little rethinking. The trial is not particularly fun or dramatic. If only the moments of sweet humor can be transplanted into a better written story.