Caught this on Prime on Christmas day 2021. Not sure if it was a Hallmark or Lifetime production. It's definitely one of the more heartwarming romantic comedies I've seen in a while. Silly me, caught myself smiling widely with glee at certain points while watching this. The two leads have great chemistry and were nice to look at which is always a plus. Check it out if you like romance movies.

Throughout my recently started Hallmark film completest quest expanding (so The Spring Fever, Summer Nights, Fall Harvest etc blocks on top of the Christmas films) an interesting quest but very mixed one, there was never the mentality of expecting a classic or the film in question to be flawless. Which never was the case. There was always the expectation of seeing a film where one can see at least some effort rather than merely cash-in level.

For me, a good deal of effort was seen with 'All for Love' (or 'All Anything or Love'). It is far from perfect, more uneven, and isn't great, with one or two things particularly unbalancing it somewhat (such as finding it very difficult to get behind the female lead character). But there was a lot to like about 'All for Love', and the best aspects were pretty impressive (primarily most of the cast). As far as the 2017 Hallmark efforts go, it is in the middle of the pack category, though credit is due for trying to do something different to usual for Hallmark at this point of its filmography.

Am going to start with the good things about 'All for Love'. It is a very nice looking film, one of Hallmark's best looking 2017 films in my view. The scenery really does entrance and the photography doesn't cheapen it at all. The music at least fits tonally and in placement and has presence without being over-loud. The dialogue is sharp enough and flows naturally, while also having the right amount of sentiment (not too much in quality and quantity).

Characters aren't complex, then again that shouldn't be expected watching Hallmark, but aren't too stereotypical and are generally likeable enough. The story may be predictable and not perfect in execution, but it is incredibly charming, sweet without being too sugary and very heart-warming. There is a nice lightness to it too on the whole. The cast on the whole are impressive, with Steve Bacic a truly subtly charismatic and easy to like lead. Teryl Rothery does no nonsense so well and is a definite scene stealer.

Less good is Sara Rue. She does try hard, but in my mind too much of the time her efforts came over as over-compensating where she exaggerates her character's flaws (of which there are plenty to the extent it is not easy seeing her virtues). Her character Jo is pretty hard to take, too whiny, too spineless, too indecisive, too quick to jump to conclusions, too disrespectful and quite childish. Actually found every bit as difficult to swallow what Bacic's character saw in her and why he put up with her.

While the central chemistry is there and has appealing moments, there are times where it too low key. The story is formulaic and other than the setting and some of the scenario not much is new so there are parts later on that feel bland. The conflict is very forced in writing and in Rue's acting, comes out of the blue and lacks tension and the ending is far too convenient and pat, another case of it feeling undeserved.

In conclusion, quite nice but unbalanced by the unlikeability of the female lead character and Rue trying too hard. 6/10.

I thought I'd re-watch this one, because I usually really like Sara Rue, and the very sexy Steve Bacic has become one of my favorites. He is a very busy actor and occasionally stops in to do a Hallmark movie. I wish he'd do more. I thought I would be bumping this one up to an 8 after I saw it again, but no, it's still a 7. The main reason was that Sara really got on my nerves. Both the actress and her character. The actress really overacted and over-did the "I'm so adorable and spunky" bit.

Jo is a romance novelist whose last novel was panned because she got so many details about firefighting wrong. She is in a slump because her novels have lacked authenticity. The current rough draft is about a Navy Seal, and it suffers from the same problem. Her editor, a wonderfully no-nonsense Teryl Rothery, sends her to Seal training school, run by her brother Colin, a former Seal. (Just go with it) Steve Bacic is perfectly cast as the ex-Navy Seal. And Sara Rue is as well as the soft and feminine Jo.

Jo's wimpy behavior at the end when she jumped to conclusions about Colin still being hooked up with his ex was very irritating. I hate the "big misunderstanding" cliché which could be quickly resolved with a little honest communication. When she learned the truth, which had to stalk her and attack her and overpower her to be believed, she was still very namby pamby about going after him. She had to be coerced and implored by all and sundry to fix her stupidity.

This one had a lot of potential, but Sara's over-the-top performance and her character's lack of gumption in the end really disappointed me.