Ahn Byeong-ki, the person who's brought us Nightmare, Phone and Bunshinsaba, is back in 2006 with A.P.T. Based on a comic by Gangfull, Mr. Ahn's A.P.T. is still rely on his previous effort and trick.

Sejin (Ko So-young) is a new tenant in an old apartment in a Seoul suburb. She befriend with a wheel-chair bound girl, Yu-yeon (Jang Hee-jin), an orphan who's take care by neighborhood volunteers. Sejin has a unique hobby, observing the apartment units on the other side. One day, she notice something, these apartments are turn off their light at the very same time, exactly on 9:56 PM. Next thing happen is someone is found dead. This thing keeps happening and Sejin start to suspect something weird is occurring. And then she' decide to start an investigation.

It seems Mr. Ahn still believe with the power of the long-haired-ghost, while nowadays it's kind of tired. We need a breath of new tale into the horror genre, especially the Asian Horror. But by watching this movie, I think Mr. Ahn is not that kind of innovative person. The movie is also full with routines that this genre be familiar with. Nothing new here. The good point is A.P.T. is more enjoyable than Bunshinsaba or even Phone. But due the release time, it's not appealing anymore.

It says that Ko So-young is a 4 year absent before return to movie scene with A.P.T. Alas, she more like a clone of Ha Ji-won (Nightmare, Phone) rather than a solid performance, while the débutant Jang Hee-jin, who's stunningly beautiful, is also act well.

So if you still fond by this kind of movie, A.P.T. could still amuse. But if you need something new or different, you better skip this.

I watched this movie a while back, and while the details may be a bit fuzzy - the memory of this movie is a fond one. The events in the movie may not be entirely original, but the ending was satisfyingly unique enough for me.

The movie moves along at a somewhat slow pace, but it works well and I'm happy about it - rather than being an all out constant fright fest where the scares simply become yawns.

Asian horror has slowly become one of those things you either hate or love. A lot of people have also decided to love a few and hate the rest. This is unfortunate, I think. Simply because some elements are familiar, there is no reason to disqualify a movie because of it. Especially if the elements are mixed up enough to make an interesting final product.

This movie is one of those I feel anyone with an interest in Asian horror should watch.

This is a movie from Toilet Pictures. If the name of the production company is any indication how stinky a movie is, then this would be it. I think I'm not really a fan of horror movies, not that I'm chicken, but rather this year alone, I haven't been genuinely spooked by what's on offer so far, be it from the West, or from Asia. 9:56 is no different, great premise, but poor execution, relying on clichéd techniques (I think these are the only tools of the trade available?) to try and elicit some heart thumping moments.

Se-jin (Ko So-young) is a lonely career woman, who one day notices that some apartments in the block of flats opposite hers, undergo blackouts simultaneously at precisely 9:56pm everyday. No, she's no voyeur, but a series of unexplained deaths in the neighbourhood, including one which she encounters herself on a subway, start to draw her deeper and deeper into the mystery surrounding these deaths.

With horror movies, there's always a pseudo-logical explanation within the movie about how the spooks come about. That's just about the most interesting thing that happens in the film, the unravelling of the "Truth", although it won't take seasoned film lovers to guess the plot halfway through. Which of course makes it a very unsatisfying experience watching this movie.

There's a myriad of characters like the wheelchair bound girl, and the neighbours who take turns to care for her, as well as a schoolgirl, detective, a mentally challenged boy and a spooky train commuter. But following genre formula, these folks are there usually as fodder for deaths, or in this case, pointless red herring characters whose sole aim by the filmmakers is to mislead the audience, nevermind if they convolute, or add little to forward the plot.

And don't get me started on the techniques employed here. Quick cuts, sudden appearances, long hair ghouls (ahhhhhhh, so passe!) who can't move properly, copious amount of blood like it flows down a mountain for free, and the list goes on. But credit to the sound engineers for creating some ear piercing bone crunching sounds used each time the spooks move, though it seems like a one trick pony.

Don't waste time on this, even if you're a horror fan. It's a complete waste of a promising premise, and in the end, you feel like you've just be taken on a ride. A very long and painful one to endure. It's high time for some innovation in this genre, otherwise one film will easily look like another, with ugly long haired monsters moving funny but with the ability to make sudden appearances accompanied by loud sounds. Oh, and can someone oil those doors while they're at it as well.