Back Stage (1919) YIFY - Download Movie TORRENT

Reviewed by vnoble123 8 / 10

a very good pairing of comedy legends Arbuckle and Keaton

One of the later Arbuckle-Keaton collaborations, showing the marked influence of Keaton in the construction of gags, "Back Stage" was made the year before they went their separate ways: Arbuckle into features and Keaton into his own series of shorts. Arbuckle's nephew, Al St. John, by this time is relegated to a rather minor role. Jackie Coogan's father, who was an eccentric dancer in vaudeville, appears here in that role (he later heckles from a stage box, but he is not the man in the balcony with a mustache). Coogan was a friend of Arbuckle's and appeared in a few of his two-reel films before Jackie became a star in Chaplin's remarkable feature, "The Kid," two years later (the elder Coogan also appeared in that film in three different minor roles, most notably as Satan in a rather odd dream sequence).Like Keaton's later short, "The Play-House" (1921), this two-reel comedy gives viewers a distinct feel for the era of vaudeville--though from the perspective of the stagehands rather than the audience. It includes many fine gags built around various back-stage activities and the bumbling attempts of two stagehands, Arbuckle and Keaton, to act as performers.The most interesting gag historically involves a scenery flat falling toward Arbuckle, with an upstairs window passing around him. Keaton later used an actual falling house front in the same manner twice in his own films: the 1920 short "One Week" (his first release as a solo artist) and, more dramatically, in the 1928 feature "Steamboat Bill Jr.," which was his last independent release (it does not appear in "Sherlock Jr." as stated elsewhere). The latter instance was an extremely dangerous stunt, which easily would have killed Keaton if he did not hit his mark precisely."Back Stage" is not their best film together, but it remains a very good Arbuckle-Keaton effort well worth viewing.

Reviewed by tavm 7 / 10

Back Stage was a very good latter-day teaming of Roscoe "Fatty" Arbuckle and Buster Keaton

This is an Arbuckle/Keaton comedy that, for once, actually have them as a true team as they both are stagehands who end up performing themselves when the actual troupe quits before showtime. The strong man's female assistant who's been abused by him is only one of that troupe deciding to stay. I'll stop there and just say there are plenty of funny gags involving Roscoe and Buster together that are quite funny like when they team to electrocute the strong man with his bar bells after the way he treats his lovely assistant or when during the performance the font of the house falls on Arbuckle and Keaton and they attempt to get it back up! There's also Jack Coogan, Sr. as a long-legged dancer that keeps knocking Buster and Al St. John down that's also good for a few laughs. This is the same Coogan whose son Jackie would later become famous as the title character of Charlie Chaplin's The Kid. I've said enough so I'll just highly recommend Back Stage.

Reviewed by springfieldrental 7 / 10

Keaton's First Film After WW1 Duties

Buster Keaton had appeared in a number of Roscoe Arbuckle films before he volunteered for the United States Army in the summer of 1918 during the Great War. He was shipped over to France shortly before the war ended in November 1918. Because of his acting talent, the Army decided to have him entertain the remaining troops in Europe before he was discharged in April 1919. Keaton immediately returned to Los Angeles to pick up where he had left off with Arbuckle, appearing in three films with the comedian, the first being September 1919's "Back Stage."Arbuckle and Keaton are stage hands getting ready for the upcoming show's star performer, a strongman who turns out to be very abusive toward his female assistant. Well before the 'Me-Two' Movement, the pair take it upon themselves to set the larger man straight. Because no one treated him like that before, he refuses to go on the stage. So Arbuckle and company decide to improvise the entertainment, much to the delight of the sell-out crowd. Trouble is, Mr. Muscleman doesn't appreciate their act.A notable sequence shows one of the stage set's large false wall designed as a side of a house collapsing onto Arbuckle, who is standing underneath it. Thankfully, an open window frame on the second floor falls directly on top of him, allowing Fatty to escape without a scratch. Keaton remembered that trick and used it twice in his movies when he went solo, most famously in 1928's 'Steamboat Bill, Jr.'

Back Stage

1919

Comedy

Back Stage

1919

Comedy

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a very good pairing of comedy legends Arbuckle and Keaton

Back Stage was a very good latter-day teaming of Roscoe "Fatty" Arbuckle and Buster Keaton

Keaton's First Film After WW1 Duties

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