JM Vincent, WIlliam Katt, and Gary Busey are three surfer dudes, back in the 1960s. period piece. Free wheeling, looking for the next perfect wave. so symbolic. ride that wave as long as you can. Matt, Jack, and Leroy are enjoying the good California life on the beach, until life will inevitably bust into their lives, and change everything. Some similarities to American Graffiti, which had come out five years earlier. teens prepare for what's coming next in life. lots of drinking, fighting, violence. some fun bit parts in here, if you check the cast list. Barbara Hale (Katt's mom). Charlene Tilton from Dallas.Todd Lookinland is Mike Lookinland's brother (bobby brady). Celia Milius, the "bride", is... the wife of the actual director! Directed by John Milius, who was a surfer himself. was nominated for writing Apocalypse Now. Locations and/or footage from Hawaii, Texas, El Salvador, and numerous California beaches. and some great music from the 1960s. it's pretty good. coming of age film.

I much prefer a movie that looks great to one with great dialogue. So with this movie I was pretty much satisfied. OK the acting can be a little iffy at times ("those kids do look up to you" said in a bit of an over the top way) but the story line, humour, and fights (very enjoyable at the party, not as much in Mexico because of the more serious tone) are all very good.

But this film really excels in the shots of the ocean and surfing. They are quite simply beautiful.

I don't really understand why this film did so badly but heh it seems to be more accepted now.

I'm not a surfer, and I don't particularly fancy gazing at hunky males in their naked torsos and swim shorts. I am, however, a fan of good cinema, and according to many film articles and cinematic reference books, "Big Wednesday" is one of the greatest American films of the 70s.

I certainly wouldn't label it as such, but I can easily understand why this film enjoys the reputation of being a classic, and why it has such a wide and loyal fan base. It's a contemporary epic, a true coming-of-age movie for an entire generation of beach boys (and girls) who were teenagers in the sixties. The film actually reminded me somewhat of "Forrest Gump", only small-scaled and centered around a shorter and specific period of time. We follow three handsome and talented surfers throughout a period of 12 years. In 1962, life is great and completely carefree, but unfamiliar things like adulthood and responsibility begin to appear at the horizon. In the following decade, they are faced with the Vietnam war recruitment and the deterioration of their beloved surfing beach area. Matt Johnson (J-M Vincent) is the most talented surfer, but also the biggest troublemaker, Leroy Smith (Gary Busey) is the reckless one, and Jack Barlow is the mature and responsible one.

The challenges these three must face are not too dramatic, to be very honest. Matt struggles with alcoholism and causes a stupid accident, Jack's girlfriend doesn't wait for him to return from the war, and Leroy can't find enough kicks to agonize himself. The scenes where the boys and their friends must undergo physical and mental tests to check their fitness to serve in Vietnam are borderline genius and definitely form the highlight of the film, but there are several aspects that make "Big Wednesday" a delight to watch and experience. The brilliant 60s soundtrack, for starters, but also Bruce Surtees' cinematography and the performances of the leading trio.