I have to say I was presently surprised by this little film, I expected way less then I got. That's not to say that this is a fantastic film but it's a good one. It does a great job of representing a believable friendship between it's three main characters. I once again have to gripe of the pointless and sub par acted female character who is injected for the point of having one and doesn't add much to the film. Alec Baldwin is great as he usually is, and the three main characters are both well acted and believable unlike their accents but that's not important here. The story may be filled with a few clichés but the friendship of the characters make it work well enough to pull you into the story, not immerse you in it but keep your interest. I don't want to say Freddie Prinze was amazing but he was rather good, I wish he would lean more into films like this and stay away from any romantic comedy/dramas for a little while, play a villain or something, I do believe he has the talent it's just that he gets type cast in those romantic roles. Anyway, the film was surprisingly good, as was the story and the acting. Don't expect the Sopranos, Goodfellas and definitely not The Godfather and you won't be disappointed.

Went to a screening last night and was blown away. Michael Corrente is the kind of director that is in short supply these days. With all the garbage coming out of Hollywood, he has resisted the temptation to head west and make more $ and has instead stuck to his roots. Brooklyn Rules is a powerful independent film with a very realistic take on the coming of age genre. The cast is top notch. The stars and supporting characters ring incredibly true. I'm not going to list all the names (and there are some of the top actors out there) but just look at the credits and know that each of the actors did some of his/her best work to date. Scenes of the three best friends growing together are inter-cut with elements of harrowing violence and blossoming love. The total effect is one that left me wondering why so few films have the balance of Brooklyn Rules. So many are all out in one direction. Hyper violence- or total sex for 90 minutes. This movie has classical composition and pacing yet is completely original in it's own way. A harrowing portrait of learning the horrors of the modern city life. The soundtrack is amazing on its own. Kudos to all involved- Great job!

BROOKLYN RULES (2007) ** Alec Baldwin, Freddie Prinze, Jr., Scott Caan, Mena Suvari, Jerry Ferrara, Monica Keena. (Dir: Michael Corrente)

Scorsese lite: lackluster gangster drama back in the day

Ever since Martin Scorsese made his bones as a filmmaker with MEAN STREETS and GOODFELLAS there seems to be a flood of rip-offs or as they would like to think 'homage' to the master who made made men respectable for the average cinephile who could get there violence graphic and anti-heroes even more complex.

However the latest attempt to score a hit for The Mob is a rather lackluster gangster drama set back in the day: specifically Brooklyn circa 1985.

The focus is on a trio of childhood chums who've seen the brutality of the streets but are none-the-wiser: Michael Turner (Prinze,, Mr. Zero Charisma himself), as the narrator of the flashback driven story, who has Ivy League dreams of becoming a lawyer; his hot-headed goomba wannabe thug bud Carmine Mancuso (Caan, continuing his cottage industry of short-fused jerk-offs) and their sweet but dumb buddy Bobby Canzoneri (Ferrera of HBO's "Entourage" who I can't stomach at all nor the series come to mention it). The three friends are on aimless existences with Michael trying to maintain the straight and narrow path for a stable, normal life preferably from the concrete jungles of his environs while seeing Carmine becoming further corrupted by the local mobster Caesar Manganaro (Baldwin, the best thing about this otherwise tedious affair), a shifty-eyed yet charismatic capo who has his fingers in many pies and shows his true colors for violence in one memorable sequence involving a competitor in the refuse removal business and a meat slicer in the butcher joint Michael works.

While the script by vet scribe Terence Winter ("The Sopranos") intersperses real life gangsters from the era into the storyline the lines are a bit forced and predictable for the outcome for the trio's fates and the characters feel like cardboard facsimiles of other genre films like the aforementioned Scorsese canon.

Director Corrente (who made a decent debut years back with FEDERAL HILL) does the best he can with the familiar material but ultimately can't infuse the stock material with any real energy (accept for a decent fist-fight in a diner). That can pretty much some up the entire film as a whole.