After the death of his brother a man named "Duke Johnson" (Fred Williamson) travels down south to a place called "Bucktown" to attend the funeral. After the funeral he is pressured by his brother's friends to reopen the bar his brother owned long enough to sell it prior to departing back east. However, when he does this he finds that the entire police force of the town is corrupt and rather than being held hostage to extortion decides to call a friend to come down and help him out. Little does he realize that when he does this all hell is about to break loose. Now, rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this movie had the potential to be an excellent "blaxploitation" movie especially given the fine performances of Pam Grier (as "Aretha") and the aforementioned Fred Williamson. Unfortunately, the story became more and more implausible as it progressed to the point that it totally lacked any semblance of realism toward the end. Even so I still thought it was somewhat enjoyable and I rate it as slightly above average.

Fred Williamson plays Duke Johnson who is visiting a Southern town in order to bury his brother Ben and to try to sell Ben's Club Alabam bar which just closed. He has to wait 60 days, however, so he now has to stay during that time before he can do it. With the advice of Harley (Bernie Hamilton), however, Duke decides to once again open the bar. During some of that time, Harley's friend Aretha (Pam Grier) has some friction with him concerning his not even going to visit his brother during those last years before they fall in love. Along the way, some racist neighbors try to get some money from him which then has Duke inviting some friends like Roy (Thalmus Rasulala) to kick their ass. After that happens, well, something worse happens...While the drama was pretty compelling concerning the players I just mentioned, I have to admit some disappointment in not having Ms. Grier do some fighting herself since I've been used to her doing so in her other AIP movies. It's seems to be Fred doing it all by himself most of time. So if you're expecting something campy, you won't find it here. But if you don't mind drama mixed with action, Bucktown might be your cup of tea.

Duke Johnson (superbly played by the almighty Fred Williamson) returns to his Southern home town only to discover that the local corrupt police force rules over the place with an iron fist. Johnson calls on several guys from the big city led by his smooth good buddy Roy (the terrific Thalmus Rasulala) to clean the hamlet up. Unfortunately, Roy and his nasty goons take over the crime racket after they wipe the cops out. Director Arthur Marks, working from a tough, smart and complex script by Bob Ellison, ably creates a hard, starkly amoral tone, maintains a steady pace throughout, and stages the action scenes with considerable brio (a ferocious protracted climactic fight between Duke and Roy rates as a definite exciting highlight). Moreover, the violence is every bit as rough and bloody as it ought to be. The bang-up cast qualifies as another significant asset: Pam Grier as Duke's fiery, sassy old flame Aretha, Tony King as slick sleazeball TJ, Bernie Hamilton as amiable drunk Harley, Art Lund as vice, hateful Chief Patterson, Tierre Turner as brash kid Steve, Morgan Upton as vicious deputy Sam, and Carl Weathers as brutal muscle Hambone. Both Robert Birchall's gritty, yet polished cinematography and Johnny Pate's funky, syncopated score are up to speed. An authentically funky grindhouse nugget.