Buster Keaton Rides Again

1965

Biography / Documentary

4
Rotten Tomatoes Critics - Certified Fresh 82% · 2 reviews
Rotten Tomatoes Audience - Upright 82% · 100 ratings
IMDb Rating 7.3/10 10 559 559

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Plot summary

In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a short subject that now enjoys a small cult following. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and the occasionally combative creative process behind the scenes. An intimate look at one of cinema’s most enduring legends.

Director

Top cast

Gerald Potterton as Self (director of 'The Railrodder')
Michael Kane as Narrator
720p.BLU 1080p.BLU
737.26 MB
1280*960
English 2.0
NR
us  
23.976 fps
1 hr 20 min
Seeds ...
1.34 GB
1440*1080
English 2.0
NR
us  
23.976 fps
1 hr 20 min
Seeds 9

Movie Reviews

Reviewed by sol- 6 / 10

A Hard Act to Follow

Traveling through Canada while filming the amusing short film 'The Railrodder', Buster Keaton is observed both on and off set in this little seen documentary. Though hardly the most loquacious entertainer, Keaton proves to be an interesting behind-the-camera personality as he debates whether certain scenes in 'The Railrodder' are thrills or gags and as he shares anecdotes about celebrities such as Cecil B. DeMille. The documentary is a tad uneven a ride though (pun intended) as it pulls between focusing on Keaton backstage and recounting Keaton's childhood and initial rise to fame; fascinating a career as Keaton certainly had, the highlights of 'Rides Again' are the scenes of Keaton conversing - and singing. There is also an overload of footage from 'The General' interspersed throughout - no doubt to justify the title as Keaton also rides railway tracks in 'The Railrodder' - but less footage from 'The General' and more from the inventive likes of 'Sherlock Jr.' may have worked better. Flawed as it may be though, 'Rides Again' is an easy film to warm to. While clearly not as healthy and agile as in his prime, Keaton is enthusiastic as ever about finding ways to make his audiences laugh and the candid insight the film offers into his mind at work, always thinking up different ways to find humour in life, truly resonates.
Reviewed by wmorrow59 7 / 10

Behind the scenes with an aging legend

I must confess that although I'm a lifelong fan of Buster Keaton's work I've never much cared for The Railrodder, the short comedy he made late in his life for the National Film Board of Canada. That's the one where Buster travels across Canada in a strange-looking mechanized rail car, and it feels more like a travelogue or an extended commercial than a comedy, like something made to please the Canadian Tourism Bureau. While the colorful scenery is pleasant enough, the material Buster was given to perform feels slight and only mildly amusing at best. Still, I'm glad the film was made for several reasons. First, seeing as how Keaton had been neglected and shoved aside for so many years, reduced to supporting roles and cameos, it's a pleasure to note that here, at last, he received star treatment in a film built entirely around his persona, even if the gags are on the weak side. God knows it beats the Beach Party series! Buster and his wife Eleanor had a good time making The Railrodder, and we know this because a second camera crew was on hand recording the process for a behind-the-scenes documentary, a separate film that came to be known as Buster Keaton Rides Again. This fascinating movie gives us a rare look at Keaton at work, a Portrait of the Artist as an Old Man that is poignant, informative and funny, and considerably more satisfying than the project it set out to document.Viewers unfamiliar with Buster's life and career who are interested in learning something about him will find a brisk outline here, giving the basic details. There is a summary of Keaton's stage career featuring a number of interesting photos, and clips from his best-known feature film The General, unfortunately backed with inappropriate, jangly piano music. The biographical section is okay as far as it goes, but the real reason to see this is the behind-the-scenes footage of Buster interacting with wife Eleanor, The Railrodder's young director Gerald Potterton, and various others. Buster tells stories about Louis B. Mayer, signs autographs for excited young fans, celebrates his 69th birthday, accepts the Key to the City in a dreary-looking town, and even strums his guitar and sings a couple of old ditties in his croaky, four-pack-a-day voice. Those songs alone are worth the price of admission.Buster's singing gives us a taste of old-time vaudeville, and also points up the waste of his talents at MGM in the early talkie era. Why didn't they have him do this sort of thing? Well, no matter, at least this documentary captures the man at work and play, and more than makes up for the weaknesses of The Railrodder.
Reviewed by Varlaam 7 / 10

Keaton sings!

Yes, he does. We get to hear him put on his Irish accent too.John Spotton and his crew from the NFB were there in 1964 as Gerald Potterton and his own NFB crew were filming Buster Keaton in his title role as "The Railrodder".He see Keaton and Potterton as they conceive gags familiar to many Canadians -- of my generation, certainly -- from that funny colour short and wonderful Canadian travelogue. The latter was perhaps the real reason we were shown "The Railrodder" as Wolf Cubs, by our Akela at a pack gathering of the early '70's, if memory serves. (As a little boy, I consequently thought Keaton was Canadian.)Probably the most valuable point about this documentary is that we see Keaton's actual uncredited role in the making of the Potterton film, as writer, director, and even producer. It was probably natural given his seniority and cinematic experience, and we get to see it, a little bit anyway, as it really happened. Keaton, in general, comes across as a wise old man of the movies, anecdote-filled and a little puckish. Keaton, in "The General", comes across as hilarious, and this film includes some extended sequences from that 1927 gem.As a point of interest, John Spotton as a name is most familiar around these parts these days as the John Spotton Theatre, the cinema located in the National Film Board building downtown at the corner of John and Richmond. (Stop by the next time you're in Toronto -- that neighbourhood is on the tourist itinerary.)
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