Violent Argentine movie on a scheme to take money from insurance companies at the expense of the victims themselves. Off course schemers overlap hospitals and law offices when profit is at risk, and things may become quite ruthless. While a romantic drama develops slowly, the film ends in a thrilling brutal scene. Perhaps the most remarkable quality of this good movie is the brilliant camera work. There is also perhaps the best shooting scene I have ever seen in cinema.

This movie is as perfect as any contemporary movie can be perfect nowadays. The uncompromising plot shows the very somber underside of the insurance business in all its corruption, corruption found in any other big business, as we are getting to know more and more every day just by reading the world news.

They show it really as mafia business.

Corrupt lawyers, corrupt police, corrupt doctors. Everybody and his grandmother is corrupt!! A very dark, very stark movie.

Quite-quite depressing to watch, but so very well done that it grabs you from the very beginning and doesn't let go. Road traffic in the big, polluted city, is the major protagonist, the core of the story, and it is pack and parcel of many outdoor scenes where the interminable string of vehicles running with their noise and pollution are a permanent reminder that every few minutes, inevitably, some accident will occur.

The music is so perfect following the story that just now I realize that there must have been music, because I don't remember any!!

The traffic accident victims, their pain, their waiting for an ambulance lying on the bare cement of the street, maybe with broken bones, in awful pain, any minute of waiting time an atrocious agony, and the ambulance taking forever to arrive..., to me those were intolerable scenes because I was a victim of accidents too and the whole nightmarish thing came back to my mind.

All the hospital scenes were PERFECT.

And the dismal public hospitals, with stained doors (dirt), lack of supplies, lack of doctors and nurses...,and the few available (for too many patients), dead tired without sleep due to so much overwork and underpaid.

No wonder then that they could make horrible mistakes! It couldn't be more depressing. Maybe it's my problem, but I prefer to see a comedy nowadays.

The length of this movie is PERFECT, not a minute too long, not a minute too short. The editing and the camera work just couldn't be better. All the actors sheer perfection too.

Only one question bothers me when it comes to script logic. At the very end, who was driving the white pick up? Because as far as I understood, Darin's character didn't have reliable friends to count on. It's the only flaw that I could notice in the whole movie.

Excellent, a truly excellent film.

Knowing Pablo Trapero's previous works, I found myself thinking (three quarters into the movie) "Wow, it seems the guy lost it". Not a bad movie itself, good, strong, structured script, plenty of bad guys who are bad only to make a living but otherwise understand their victims' problems and motivations, but afflicted by some lack of style, narrative rhythm and, last but not least, a very poor acting and voice management by the female lead, Martina Gusman.

Otherwise beautiful,sexy and well planted in front of the contained, every-year-more-Arab-looking Darín, the conflicted, substance-sustained heroine (pun intended) fails to show the downfall of a reputation-seeking doctor, trapped in a war which is not hers, anchored to a love she didn't ask for and, nevertheless, makes part of the cruel disintegration of her world.

The nervous, shaking camera style of Trapero in this flick, adds tension to the tale but fails to remark some important dramatic points. He misses, too, regarding to acting direction, allowing some of the actors —not all, granted— to deploy "methodic" works (in the sense of Actor's Studio ones) which do more damage than good to the development of the plot.

All said, "Carancho" adds nothing to the brilliant Trapero's career, far away from his brilliant "Mundo Grúa" and "El bonaerense". Fairly enough, this one can be considered just one lesser work.

Worth watching? If you like claustrophobic, dark, miserable, sordid crime movie, but with not that good acting and directing, yes. If this isn't the case, look for Adrián Caetano's "Un oso rojo".