What else is there to be said? Nothing, so I'll just say what I thought. It took me years to get round to Cats. I knew nothing about it until I put it on. Though of course I somehow knew the words to that infamous song when it came on, thus is its complete suffusion into popular consciousness. I didn't know what I was watching for the first hour. It made no sense. However near the end something clicked and I totally understood why it was so popular and enduring. It's because the only way to watch it is through a child's mind. You cannot try to grasp on anything, you just have to let yourself go on the wacky innocent fun ride and let your feet tap and hands clap when they want to even if they don't know why. Because there is something about it that really makes you feel safe and want to accept the invite to fall into wonder and bright lights and entertainment for simply the love and sake of it. In that regard it is very unique and I understand why it was such a phenomenon. To try to make any logical and critical review of it is just missing the point so not a lot can really be said nor should it. Though one critical note which is I think appropriate is to say that the cast and choreography is really great in how they bring cat humans to life on stage through movement. And seeing this after the existence of the 2019 version (terrible) just puts into perspective how great the staging and choreography is. And also this filmed version is a real nice production with lots of cuts and close ups for you to feel really involved in the show. My fav songs were rum tum tugger, and mr macavofy.

Veteran David Mallett, who directed many music videos for great artists such as Asia, Pink Floyd, Rolling Stones, Phil Collins, David Bowie, Queen, Blondie, U2, AC/DC, The Who, Rod Stewart, Peter Gabriel, Elton John, Tina Turner, Madonna, Erasure, Rush, Roxy Music, etc., is doing a great job here, directing Andrew Lloyd Weber's wonderful music. An extraordinary distribution, excellent choreography, superlative costumes and makeup, everything superb. One of John Mills' latest films.

Although Jesus Christ Superstar is my favorite Andrew Lloyd Webber show (I also enjoyed Joseph and the Amazing Technicolor Dreamcoat), Cats can be a fun show, particularly if you know and like T.S. Eliot's work, upon which all the material is based. I, like Lloyd Webber, count Old Possum's Book of Practical Cats as a childhood favorite. In the car with my parents, we used to play an audiocassette version of the poems read by Sir John Gielgud and Irene Worth. I loved the poems before I knew the name of Eliot. Nowadays, I count Prufrock amongst my favorites and it's lovely to note that all of the characters songs in this show are based on various poems of Eliot's (some of them unpublished in his lifetime). It seems to me that Cats might be a bit more confusing to one who is unfamiliar with Old Possum's Book, but the numbers are loosely bound together as it is, so it may not matter much. But I do think it will make more sense and possibly be more fun if you've read the Eliot first.

Cats is a pretty light, whimsical show not to be taken too seriously--which, to my mind, is no bad thing. We need whimsy, too! It's based on what is actually a rather interesting, cool idea of plunging into the world of the mystical Jellicle Cats, as they meet at the annual Jellicle Ball. Much of the play is spent simply meeting the cat characters at the ball. With the exception of Grizabella, each of the characters introduced comes directly from Old Possum's Book and the songs are mainly the poems set to music. And it is important to remember that this is a musical based on a series of poems--hence the vignette format it often takes. Lloyd Webber is a composer of music, not a storyteller or writer literary sense. And there's nothing wrong with that. Dating back the operas of Wagner, Puccini, and so on, there has been a rich tradition in musical theatre and of adapting and reinterpreting previous stories, legends, etc. One thing theatre offers is the opportunity for many artistic interpretations of one story or piece, but I digress.

The music and dancing here are exciting and often fabulous. The opening number, Jellicle Songs for Jellicle Cats, is simply a knockout and other highlights, for me, including the Battle of the reenactments Peaks and the Pollicles featuring the Great Rumpus Cat, as well as Mungojerrie and Rumpleteezer. Good comedy abounds in these numbers. Old Deuteronomy is one of the most gracefully translated numbers. The Gumbie Cat (Jennyanydots) and The Rum Tum Tugger are also staged well, in fresh and original ways (I especially like Jenny) and Bustopher Jones is delightful. As a side note, this video version also features Sir John Mills in a brief but apropos role as Gus the Theatre Cat (unfortunately, this version loses the Growl Tiger number that is supposed to be a tangent to Gus' song). The late Mills was always reliable and his cameo is surprisingly touching despite its brevity. In some ways, I'd have liked a more flamboyant, upbeat portrayal of Gus, but Mills' cameo is a highlight.

The dancing of the Jellicle Ball, of which there is plenty, is fantastic to watch. I dare say that these dancers, with their wonderful agility, energy, and flexibility, have to be keep in top physical condition and work at least as hard as any football player. It looks to be every bit as much a work-out, every bit as much a form of athletics, as any contact sport. And those who don't appreciate the athleticism, the endurance, and the physical excellence good dancing requires--as well as the beauty it can produce--can kiss those shiny jazz shoes. But I, again, digress. Suffice it to say there is plenty of dancing in this show. That said, filming choreography can be tricky, and I get the feeling it would more be exciting and spectacular to see it on stage, as it was intended--and making that point may have been part of the purpose of this home video edition. After all, a theatre ticket costs more than a DVD.

Although the story is loose, they've actually managed to mind some of the characters from the poems together pretty well. Old Deuteronomy, a venerated senior cat in one of Eliot's poems, because the wise leader or guru of the Jellicles here, presiding over the Ball. And Macavity, the Professor Moriarty of the Jellicle world, shows up to disrupt the ball with criminal mischief. Then Mr. Mistofolees, the conjuring cat, plays a pivotal role in the plot with his magic, which is another number that I really enjoyed. The other key character is Grizabella, whom I believe comes from one of Eliot's unpublished poems, and is portrayed mainly through the famous ballad Memory, which is lovely and poignant. The lyrics are also some of the best of the show and in the context of the show, the emotional aspect of the song is somewhat surprisingly raw and intense. It's beautifully sung and sticks in your head without doubt.

Although the story is loose, it does all come together in the end. I won't say it isn't predictable but it does end up being pretty satisfying for me. Overall, Cats is a fun show, particularly if you like T.S. Eliot's poems. Eliot's widow, Valerie, who was alive when Webber conceived the show, approved wholeheartedly. Let it be what is and let your pretensions take flight. It can be fun if you appreciate musical theatre, T.S. Eliot, and our feline fellows.