I had never heard about writer and director Sebastien Blanc's 2022 horror movie "Cerebrum" prior to stumbling upon it by random chance here in 2024. And given my fascination with the horror genre, of course I had to sit down and watch this movie. I was under the impression that "Cerebrum" was a horror movie, but it is more of a thriller laced with drama elements.

Now, I virtually had no idea what I was in for, as I sat down to watch the movie. And thus, writer and director Sebastien Blanc virtually had every opportunity to entertain and bedazzle me with this 2022 movie. It was an interesting enough script and storyline, and the usage of flashbacks as a way of feeding bits and pieces to the audience as to what had happened prior in the movie was a nice way of constructing the narrative.

"Cerebrum" has a small cast ensemble, and I wasn't familiar with a single actor or actress. The acting performances in the movie were good, I will say that much, especially the one by Steve Oram. I have to admit that I do enjoy it when I sit down to watch a movie with all unfamiliar talents and faces on the screen.

I do believe that "Cerebrum" is a movie that is somewhat of an acquired taste, because this wasn't your average type of horror movie. So it is a movie that will cater to a certain specific target audience. And as such, then I would say that you definitely should check out the movie, because it might just be something for you.

While "Cerebrum" definitely has an interesting concept script and storyline, it is hardly a movie that warrants more than a single viewing. I didn't find that the storyline and script had enough layers to it to support more than a single viewing.

The movie's cover, at least the variant with the woman screaming hardly do the movie any justice.

My rating of "Cerebrum" lands on a five out of ten stars.

Will (Tobi King Bakare) wakes up from a bad dream, but in truth, he's waking up in the hospital. He's been in a coma for more than a year and has no idea how it happened, where he is or what has gone on while he's been asleep.

As he regains control of his body and begins to stitch together his mind, he finds his scientist father Richard (Steve Oram) has become more controlling than ever, refusing to allow him to see his mother Amelia (Ramona von Pusch), who also barely survived whatever put them both into intensive care.

Director and writer Sebastien Blanc does a great job of not only establishing Will's survivor's guilt but also his feelings of detachment as he's lost his adoptive mother and it's hammered home how little Richard wanted a son, much less a black child. The only time they seem to bond is horrifying, as they are bathed in red light as father invites son to hysterically laugh at the things that most upset the both of them,

Of course, the truth -- why is Richard seeing so many blonde women? -- is closer to The Brain That Wouldn't Die than a tender drama about reconnection and loss of a parent. It's more about how far someone will go to keep someone in their life. It might be selling itself as a genre film, sure, but it has a really deep emotional tug within the expected against nature surgical science fiction movie moments.