In the movie's opening scene, our lead character Amy (Elisabeth Harnois) discovers her boyfriend's desire to have an open relationship and the fallout serves as the vehicle to launch her journey from Chicago to her brother's place in Vienna. She decides to get some ball tickets at a dance studio in Vienna. While there, a wealthy instructor Lukas (Christian Oliver) immediately wants her to be his replacement partner for a midnight ball dance competition without knowing how well she can dance. Romantic interests follow and the story follows the formula quite well to the end.

Including the unbelievability of the opening premise of this movie, there are some unsettling aspects to it. There are three men who have a romantic interest in Amy and all are quite aggressive in pursuing Amy and placing her in difficult scenarios to resist their advances. Amy would be drawn in by their attention then suddenly realizing what was happening become quite creeped-out by the situation. I'm not sure if the director intended these scenes to play this way, it was how Elisabeth Harnois interpreted her character's response to the advances or just the actors taking some artistic interpretation on the scenes. Most versions of these movies have a slow progression of "not interested" to "he's the one" by the last 5 minutes. Amy's character went back and forth in every scene and this pendulum made the movie feel quite uncomfortable to watch at times.

Overall, this movie is very much a hybrid between Hallmark's 2020 version of Christmas in Vienna and Christmas Waltz storylines. Not sure who stole whose idea on this one or if somebody at Hallmark hated this movie so much they decided they could do it better. Christmas Waltz features much higher dancing quality, set decorations and very strong chemistry between the lead actors. Hallmark's Christmas in Vienna version features a better and socially correct version of our subject movie's story. Either of these films would be recommended over this one.

The uncle belonged to her brother, but he was not her uncle? So why was he the uncle of the brother but not her? Unfortunately I got stuck with that in my head for the entire movie so I missed most of it ? This movie in America was called the Great Christmas Ball and was enjoyable to watch on Christmas morning.

I have to admit that the big reveal at the end of the movie was going to occur much earlier.

Anyway, I hope someone can explain to me why the uncle was her brother's uncle, but not her uncle. That really left me wondering for the entire show. Was that her half brother? Was he adopted?

Fun, brainless movie. WWE for women.

The lead actress is actually not bad, and most performances are fairly decent, but she does not cut a lead feminine romantic figure appearance (too chubby for the role, to be blunt). There are some scenes terribly hokey, and wow, ankle injury disappeared like magic, but it's a decent job done with a bad script. The settings help. A travel show featuring Vienna sightseeing would actually be much more watchable than this. The relationship with the brother is odd, and the director/script allowed the brother to be undeveloped and didn't explain his purpose except to be used for a typical romance movie stunt blunder ("That wasn't my boyfriend, he's my brother!"... Hey, if you are that chummy with your brother, he's most definitely your boyfriend!!!). But it was tolerable as Christmas buffoonery goes. The ballroom dance scenes took directorial patience, and you can tell that the terrible acting by the bad girlfriend of the prince was just accepted to get the flick done, and the diversion of the American male nurse random meeting the fellow American in Vienna was another implausible personality...not sure if that scattershot character was necessary since it was the uncle who pulled through with the hokey last second tickets and best dress. If they ever do a movie with a Megan McCain character, the lead actress here will be a good choice. She just played an overly dramatic 'skinny' version role, so not much rehearsal to get into character required. You can watch this, but probably skip it unless you need a turkey of a Christmas movie playing to ignore while cooking a turkey in the background. *Director prank(?): One ballroom dance scene, one of the extras has a male prosthetic attached to his nose... It's only a second, but it's as if it was done so you'd look at later scenes of all the dancers so you'd see that the director actually did some pretty good work getting large groups of dancers fitted into the scenes...but to my eye, I only saw it the one time.