"Horror Castle" director Antonio Margheriti's "Code Name: Wild Geese" with Lewis Collins and Lee Van Cleef qualifies as an explosive, action-packed, but formulaic military actioneer about hard-nosed mercenaries dispatched with the blessings of the DEA to destroy an evil Asian general's opium factory in the Golden Triangle. Predictably, complications arise, and everybody finds themselves in for a considerably more difficult mission than they were prepared for from the outset. Although it is not related to the 1978 Richard Burton epic "The Wild Geese" or its tardy sequel "Wild Geese II," the Tito ("Tentacles") Capri, Gianfranco ("The Last Hunter") Couyoumdjian, and Michael Lester screenplay clearly borrows elements from the two earlier films, but rearranges them so there are enough differences. The rugged cast includes Ernst Borgnine, Klaus Kinski, Mimsy Farmer, Manfred Lehmann, and Frank Glaubrecht. Margheriti and cinematographer Peter Baumgartner lensed this actioneer on location in Hong Kong and lush jungles of the Philippines. Some of the action scenes, such as a fast-paced car chase through a tunnel under construction and most of the explosions that occur in long shot are done with cost-saving miniatures, as Margheriti did with his Karen Black & Lee Major's thriller "Killer Fish." "Code Name: Wild Geese" is nothing memorable, but it is done with a lot of savvy and Kinski's fake elite British accent make it worthwhile, especially if you're in the mood for a shoot'em up with no shortage of explosions and a high body count. One of the last scene when our hero attaches a flamethrower to a helicopter skid and burns up everything and everybody at an opium plant gives it an edge.

Captain Robin Wesley (Lewis Collins of "The Final Option") is a top-notch mercenary who trains his men under conditions as close to actual combat as he can. Obviously, Margheriti and his scenarists pilfered the first scene from the Andrew V. McLaglen thriller "ffolks" with Roger Moore whose title character keeps his mercenaries on their toes with similar exercises. Wesley is called in by his employer, Baldwin (Wolfgang Pampel) to blow the smithereens out of a opium factory run by a ruthless, bald-headed warlord. Fletcher (Ernst Borgnine of "Marty") represents the DEA, and Charlton (Klaus Kinski of "Nosferatu") hangs around as back-up in case Wesley and his men run into trouble. Before the mission begins, Wesley loses his helicopter pilot so he strikes a bargain with the authorities to release Travis (Lee Van Cleef of "For a Few Dollars More") to fly for him. Travis is an expert chopper pilot who has flown in five wars but wound up in prison for smuggling.

Initially, everything goes according to plans and our heroes wipe out the opium factory. During the heated combat, Travis leaves his post in the helicopter to help the mercenaries and an adversary smashes the fuel tank, sets the chopper afire, and it blows up. Wesley and company take some casualties, but now they have to march out. The warlord learns about this debacle and sends an army out to make an example of our death-defying heroes. The local guerrillas liberate a bamboo prison nearby and rescue Katy Robson (Mimsy Farmer) who has been held hostage and shot up repeatedly with heroin. They take her with them. Wesley and his men tromp through the jungle and find a priest (Peter Lorre look-alike Luciano Pigozzi of "Baron Blood") running a mission. At this point, our heroes learn that there is a second opium factory and a train that delivers the narcotics. While they are away blowing up the train when it crosses a bridge, the warlord's army storms the mission, kills everyone, and crucifies the priest. Eventually, back at mission headquarters, Fletcher and Charlton figure that no news is good news and decide that our heroes must have lost their helicopter. Charlton arranges for back-up and leads it into the jungle on a motorized riverboat with a squad of well-armed thugs. Everything changes radically when Charlton hurls himself into the fray.

The leads don't have much of a chance to act because the explosions and the thrill-a-minute heroics keep them dodging bullets and shrapnel. "Code Name: Wild Geese" is the conclusion to a successful trilogy that Margheriti started with Lewis Collins and continued with "Commando Leopard" with Klaus Kinski and "The Commander" with Lee Van Cleef and Donald Pleasence.

This was the first of a German-produced war trilogy by leading Italian "Euro-Cult" exponent Margheriti; I actually watched the follow-ups (COMMANDO LEOPARD [1985] and THE COMMANDER [1988]) prior to it but, as often happens, the original is still the best (if still not saying very much in this case). To begin with, it has the best cast: Lewis Collins (star of all three films), Lee Van Cleef and Klaus Kinski (who also turn up in the third and second entry respectively, the latter in a different role since he dies here), Ernest Borgnine, Mimsy Farmer and even that "Euro-Cult" stalwart noted for his resemblance to Peter Lorre i.e. Luciano Pigozzi aka Alan Collins, albeit uncredited (he did similar duties, again playing someone else, in one of the sequels). The title would seem to aspire towards a cut-rate version of THE WILD GEESE (1978), itself followed by an inferior (and entirely unrelated) second helping a year after this one; anyway, the war we are dealing with here is not strategic but moral – since the mission involves annihilating an opium compound deep into the jungles of the Far East (thankfully, we are spared the sight of slithering reptiles which is usually obligatory with this type of setting, and one of the sequels did in fact have such a scene). Collins is the tough leader of a crack squad who typically rubs his men the wrong way but eventually earns their respect; the aging Cleef is a helicopter pilot(!) who took the job in exchange for a prison sentence hanging over his head (besides, he can handle himself on a battlefield); Kinski and Borgnine are, ostensibly, the men who oversee the plan and put it in motion respectively…but the former, along with Collins' own superior, are revealed to have ulterior motives (incidentally, the hero's own son had lost his life to drugs); Farmer and Pigozzi, then, are people the team meets on the way – she is a journalist captured and rendered a junkie by the native militia later freed by Collins, and he a priest who also administers medicine to the wounded but winds up literally crucified for his beliefs. The film emerges to be undeniably proficient in the action sequences (especially the scene in which Kinski perishes via flame thrower in a large fuel depository – a set which would actually be re-used in its immediate follow-up!) but is otherwise fairly routine, indeed clichéd; mind you, it offers mild entertainment while it is on (particularly the verbal sparring between Kinski and Borgnine) but is in no way memorable and certainly far below the work Margheriti could turn out in his heyday (though he had always been somewhat erratic).

Woohoo! Another Antonio Margheriti jungle actioner, this one starring Lewis Collins (from Commando Leopard!) and Klaus Kinski (from Commando Leopard!) and Lee Van Cleef (from Death Rides a Horse etc) and Ernest Borgnine (from also good eighties action film Skeleton Coast) and Mimsy Farmer (from the Black Cat, Four Flies on Grey Velvet, that Pink Floyd film and other stuff). I'm knackered from thinking of all those films those folks were in. Goodnight! This one isn't as good as Margheriti's The Last Hunter, but then I'm hard pressed to think of a better action film than that, but it's on a par with Commando Leopard, suffering slightly from the lack of John Stiener being a Glaswegian, but then helped by a depressingly old looking Lee Van Cleef as a helicopter pilot and helped immensely by eternally middle aged and jolly Ernest Borgnine. These guys are all on hand to help out Lewis Collins, a soldier heading for the jungle of some country I couldn't quite figure out in order to destroy drug factories! Collins and Cleef and a few other jungle warfare guys head off for the jungle and start blowing the absolute crap out of everything, picking up a junky Mimsy Farmer on the way. She's doesn't have too much to do in this one I'm afraid, but then again it's all about the action and less about the acting, so let's get to the bit where I mention the helicopter with the flamethrower attached.

Near the end the get double crossed by either Borgnine or Kinski (you guess which one) and can only escape by wasting scores of bad guys and countryside with a flame thrower attached to a helicopter. Margheriti gets to break out his famous miniature sets at this point (and also during a really daft car chase near the start) but you can't mark the guy down for effort.

This is yet another impossible-not-to-enjoy Italian trash film made by one of Taratino's heroes. I wonder why he never takes the hint and makes a decent action film with barely any dialogue?