The film has a simple story: today's working woman (it would be more accurate to say career woman) torn between her child and her job, and what she feels and experiences in this process. I won't comment on the content or quality of the film (about which I'm not too sure either), but I don't think career-oriented, feminist-minded, woke women will like it very much.

Secondly, I found the selection of Kübra Kip as the lead actress for the role of Asli very successful. I watched her for the first time, I even learned her name after watching the film. But while watching it, I thought clearly that she might be a Capricorn because of the negative energy and auro she spreads throughout the film. When the career-oriented character of the Capricorn is taken into consideration, I said to myself that I wouldn't be surprised if it was so and if the director made this choice on purpose. I checked the next day and, yes, our leading lady was a Capricorn born on January 1st. Of course, I don't know if the director chose her on purpose.

Asli is a professionally ambitious young woman. And a new mother! She lives with her husband and her newborn daughter in a gorgeous apartment in a very high profile suburb of Istanbul. Her relationship with the young, simple and of a lower class origin woman and new mother as well who does the babysitting for her baby while she goes for her career, will help her cope and reconciliate with her own past as an abadoned child and her present as a mother herself.

A deeply moving masterpiece is the least i can say to describe the incredible emotional power of this film of the great Semih Kaplanoglu. In an unbelievable magical way the story unfolds the sentimental process within Asli through the incidents that occur between her, the babysitter and the baby itself which make her gradually see that things are not black and white and that understanding should prevail when it comes to judging about things around motherhood, a task that as it's finally clear to her, takes an auful lot of commitment and sacrifice.

The story flows in a most simple and unpretentious way, everything is portraited as convincing as in a documentary. It does not demand or tries to provoke any tears, yet the shocks and waves of emotion it brings are enormous just because of this. In other words, unlike most drama films "Baglilik Asli" just tells a simple story and let tears roll down the face just because this simple story is as deeply, sincerely and purely human as it gets!

This is a profound psychological study of mother-child relationship told in the perfect pace that keeps you glued to the screen. The way Kaplanoglu subtly orchestrates various emotions churning through the actors and thus the audience is simply beyond words!