When I saw that British TV was screening an unfamiliar 1948 Randolph Scott Western, I assumed it would be one of his less exciting films in black and white - it's his later efforts that are usually shown. In the event, I was pleasantly surprised; it was shot in good quality colour that showed the outdoor scenery to advantage and the plot was better than in most contemporary Westerns (though not up to that of Red River, released the same year). Several of its features bring to mind later, better known, films.

Scott looks thinner than we are accustomed to see him, almost haggard, which suits him in the role of a driven man seeking vengeance for the death (and presumed rape) of his woman; this reminds one of Rancho Notorious and Scott's own Ride Lonesome. He has a very violent fist fight with Forrest Tucker (less weather-beaten than in later films), with the two men viciously stamping on each other's gun hands - a forerunner of James Stewart's fate in The Man from Laramie. And when Marguerite Chapman overcomes her religious scruples to come to the aid of her man, one thinks of Grace Kelly doing the same in High Noon.

George Macready makes a sinister villain and Edgar Buchanan is in his familiar role as a half-good, half-bad guy - and he doesn't growl as much as usual.

There are some unconvincing touches. When Scott rides into his enemy's town the citizens stare after him in a weak attempt to suggest that they sense that nemesis has arrived; this was better done by Burt Lancaster in Lawman and by Clint Eastwood in many of his films. Yet minutes later this supposedly sinister stranger is entrusted with driving a drunken, attractive woman home. And it's not giving anything away in a Western of this (or almost any) era to say that the villain gets what he deserves, but his precise way of dying is unrealistic.

On the other hand we are spared the sight common in Scott's later Westerns of an actor in his fifties (Scott was born in 1898) romancing someone half his age; indeed the love interest throughout is very low key, with the emphasis being on Macready's failed marriage.

All in all it's a good, enjoyable film to watch.

Not a bad movie, it stars Randolph Scott as a man whose wife has been killed by the heavy (MacReady) and who spends the rest of the story tracking him down and whittling away at both his empire and his nerves.

Scott looks fine physically, as usual. MacReady is suitably villainous. He looks so awesomely Teutonic. Come to think of it, as a revenge Western, this should have been directed by Fritz Lang.

That probably would have helped a good deal because Ray Enright's direction never rises above the functionally mediocre. Actors go where they are supposed to go and say what they are supposed to say, and that's about it. But then the whole film is routine. The characters are pretty simple. Two men fight and tumble into a shack and the balsam wood boards scatter like feathers. The script is equally prosaic. The comic sidekick, Wally Ford, adds an obligato to some of his lines -- "I reckon." (Amusing.) The cast has a lot of familiar faces who aren't asked to do very much with their one-dimensional characters. The three actresses are fundamentally uninteresting.

It isn't terrible. What I mean is that it's not a cheap B Western with telephone poles in the background. It's just that, considering some of Scott's other Westerns, it rather groans and creaks.

"Coroner Creek" is a Randolph Scott film that combines two typical western themes--revenge and the evil power-grabbing boss. It begins with a stage coach being attacked by Indians. However, these Indians are only working for the evil unknown white man. During this attack, the folks on the coach were murdered and one of them is Chris Danning's fiancé. Scott plays Chris Danning--a man determined to exact justice. After a montage showing Chris going town to town looking for a blond man with a scar, his trail leads to Coroner Creek---and to an evil boss-man named Younger Miles (George Macready). But, like a typical western baddie, Miles has hired a bunch of thugs (including Forrest Tucker and Joe Sawyer) and Chris is going to have to go through all this guys before his ultimate showdown with Younger. In the process, will Chris be able to hold on to his humanity? As I mentioned in the summary, this film, though reminiscent of other movies, handles it all very well. Scott managed to make it all seem very realistic and was at his best here. Well worth seeing.