Correspondence

2016 [ITALIAN]

Action / Drama / Romance

12
Rotten Tomatoes Critics - Rotten 13% · 8 reviews
Rotten Tomatoes Audience - Spilled 42% · 50 ratings
IMDb Rating 6.1/10 10 5069 5.1K

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Plot summary

The relationship between Ed, a married astronomer and Amy, his lover, who spend their years apart, is based only on phone calls and texts. One day Amy begins noticing something strange in Ed's messages.

Top cast

Olga Kurylenko as Amy Ryan
Jeremy Irons as Ed Phoerum
Shauna Macdonald as Victoria
PB Ware as Theatre Patron
720p.BLU 1080p.BLU
1.1 GB
1280*534
English 2.0
NR
23.976 fps
2 hr 2 min
Seeds 3
2.25 GB
1920*800
English 5.1
NR
23.976 fps
2 hr 2 min
Seeds 4

Movie Reviews

Reviewed by valadas 7 / 10

Deep love story

A deep love relationship develops itself between Ed Phoerum, a professor and astronomer and Amy Ryan, a young student and movie actress, despite the fact that not only she is much younger than him but also they are apart and at some distance from each other, seldom meeting physically. But he sends her videos with passionate messages. He suffers a sudden death (he was very ill) which does not impede their relationship going ahead like if he was still alive because he had a plan consisting of having written many messages to her and made some videos that without her knowledge he has given to people he knew with the charge of giving them to her at periodic dates coinciding with some important events of her life . This combines her anguish with the pleasure she has on reading his messages (in letter form) and watching his videos and led her to look for those people to get information and take the letters and videos. A quite strange story but well told, directed, acted and filmed.
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Reviewed by hushsara 5 / 10

Exasperated and exasperating distortion of our time's Cyber Idyll

Years and years ago, Pier Paolo Pasolini would have solved this 116 minutes film with one sentence: "Death does not mean a lack of communication; it is the impossibility of being understood."

And while this concept (twisted, distorted, disfigured) still remains interesting enough, Tornatore's prolix (plain redundant right there in the middle) writing swings between borderline creepy and full-on cheesy.

Among the tear-jerking treacle, his pseudo-philosophical, re-adjusted to the contingency, take on astronomy -- dead stars and all -- is accurate and poetic enough, and really the only element (almost) giving the movie an appearance of tightness, thickness and consistency in its back and forth, back and forth rhythm.

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