Don't be put off by the negative commentary on this film (which surprises me almost as much as the film's unflinching social critique). Stanwyck gives a strong performance in an unusual late-cycle noir; unusual in that it opens in conventional noir style, wraps up the first noir plot in less than ten minutes, then proceeds into insightful and incisive melodrama. Sharper socially than even Fritz Lang's late noirs, "Crime of Passion" reminds us of the "nostalgia" for the "happy family values" of the 1950's for the wishful (?) thinking that it is. Stanwyck's slow descent into middle-class torpor and madness (she's a sharp, witty, intelligent woman who saddles herself with a maddeningly boring and conventional cop husband, played nicely against type by Sterling Hayden) lays bare the social nightmare presented to women desiring anything but the conventional patriarchal lifestyle (at one point, the LA police captain tells Stanwyck that she should be at home making her husband supper-- a line which haunts both Stanwyck and the film).