"Daughters of Satan" is nothing special, but is still hard to resist on the level of an entertaining "late show" feature. It *is* irresistible to see a young and studly Tom Selleck in a horror film, a Tom Selleck who's already sporting that famous moustache.

He plays James Robertson, an art expert working in the Philippines who purchases a painting for himself depicting the burning of three witches. One of the witches bears an uncanny resemblance to his wife Chris (Barra Grant). And that's just the beginning of the weirdness to follow, as both James and Chris start to encounter strange individuals, including Kitty (Tani Guthrie) and Juana (Paraluman). Also on hand is eternally jolly Filipino icon Vic Diaz as an art dealer as well as Vic Silayan as helpful doctor Dr. Dangal...not to mention a Rottweiler who's friendly to Chris but who always gives cat man James a hard time.

The opening sequence very much lets us know right from the start where this is heading, so suspense is limited. This film, produced by Aubrey Schenck ("Frankenstein - 1970", "Robinson Crusoe on Mars") and directed by TV veteran Hollingsworth Morse (now *there's* a name for you), is more about enveloping the audience in an appropriately odd and dreamy ambiance. It has some violence here and there and voyeurs will appreciate the breast shots from our leading lady. There's a lot of great scenery to enjoy, and a very '70s but effective music score by Richard LaSalle.

The movie is an acceptable diversion, as far as it goes, but it does rather get bogged down in talk sometimes. Still, some of the actors, especially Guthrie and Paraluman, are fun to watch, and Selleck is good as the frustrated, puzzled hero. Grant is less satisfactory (although she does look fine). Plus, the movie is worth sticking with just for the kind of downbeat ending common to cinema of the 1970s.

If you're a genre fan who loves seeking out obscurities such as this one, you should have a fairly good time with it.

Six out of 10.

Manila-based art-buyer James Robertson (Tom Selleck) purchases a fugly old painting depicting the burning of three witches in 1592, after which his wife, Chris (Barra Grant), becomes possessed by the spirit of one of the witches and attempts to kill her husband, who just happens to be a descendant of the inquisitor who condemned the satanic trio to death.

Could Daughters of Satan have influenced the creators of classic series Magnum, P.I.? Not only does this cheesy Filipino B-movie feature an early starring role for future TV private eye Selleck, but his character drives a red sports car (albeit not a Ferrari), while the name of the film's writer, John C. Higgins, is uncannily similar to that of Magnum's stuffy superior, John Q. Higgins. If all of this is a coincidence, then it's certainly spookier than anything that happens in Daughters of Satan, which completely fails to delivers the chills.

Director Hollingsworth Morse worked primarily in television, and his uninspired visuals, coupled with predictable editing, a weak script and cheap special effects, means that Daughters of Satan definitely has the look and feel of a bad TV movie, and as such offers very little in the way of genuine horror. What just about saves the film from being a total waste of time is some good old-fashioned gratuitous nudity (Barra Grant's splendid rack making up for her 'constantly surprised' eyebrows), a reasonably fun chase scene that features a couple of decent stunts, and a welcome cameo from Filipino character actor Vic Diaz, who sports a really strange hairdo.

3.5 out of 10, rounded up to 4 for IMDb.

Vic Diaz was so good in The Big Bird Cage that I just had to see him again to see if he was as funny in all his films. He was in 112 films and is considered the jolly evil fat man of Filipino exploitation cinema. It may take a while to track them all down.

As a bonus, this is Tom Selleck's (Magnum P.I., Blue Bloods, Jesse Stone series) third film. He even has a mustache then.

Jim (Selleck) finds a painting of a witch burning, and the with looks like a dead ringer for his wife Chris (Barra Grant). Suspicious things start occurring. She blurts out the exact date of the burning, and a dog in the painting disappears after she sees it for real. Things just get stranger from there.

It's all about revenge for a 16th century crime. Very interesting.