David Copperfield

1935

Action / Adventure / Drama / Family / Romance

4
Rotten Tomatoes Critics - Certified Fresh 100% · 6 reviews
Rotten Tomatoes Audience - Upright 76% · 500 ratings
IMDb Rating 7.3/10 10 4947 4.9K

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Plot summary

A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.

Director

Top cast

Elsa Lanchester as Clickett
Lionel Barrymore as Dan Peggotty
Elizabeth Allan as Mrs. Copperfield
Una O'Connor as Mrs. Gummidge
720p.WEB 1080p.WEB
1.17 GB
956*720
English 2.0
NR
Subtitles us  
23.976 fps
2 hr 10 min
Seeds ...
2.17 GB
1424*1072
English 2.0
NR
Subtitles us  
23.976 fps
2 hr 10 min
Seeds 2

Movie Reviews

Reviewed by richard-1787 8 / 10

A film largely worthy of Dickens' masterpiece

Generations continue to read Dickens' best works, David Copperfield among them, because he created unforgettable characters through their language. Granted, the characters are often exaggerated or simplified, but they are nonetheless memorable, and often very lovable.That's what makes so much of this movie so good. MGM lavished on it their best character actors, and the result is often magical. Edna May Oliver as Betsey Trotwood, Jessie Ralph as Peggotty, Basil Rathbone as Murdstone, Herbert Mundin as Barkis (yes, "Barkis is willin'"), Una O'Connor as Mrs. Gummidge, Lionel Barrymore as Dan Peggotty, Violet Kemble Cooper as Jane Murdstone, W. C. Fields as Micawber, the sadly forgotten Lennox Pawle unforgettable as Mr. Dick, the versatile Roland Young remarkable as Uriah Heep. These actors and actresses all create vivid characters, sometimes with very little screen time. They make Dickens come alive before our eyes.The only weak spot, to me, is the cypher Elisabeth Allen as David's mother. For me, she is a zero in several otherwise very good MGM movies from this period. She conveys no personality. I do not understand why she was given one major role after the next. She is forgettable in all of them. The thought that she was originally contracted to appear opposite Robert Donat in one of my favorite movies, Goodbye Mr. Chips, is chilling. She was replaced by Greer Garson, who was great in that movie and helped make it the masterpiece it is. Elisabeth Allan would have made it a much inferior movie, despite Donat's deservedly Academy Award-winning performance as Chips.Freddie Bartholomew is fine as the young David, but Cukor directed him to be far too emotional for my tastes. (You can see in the trailer that "tears" were intended here.) He is much better in films like Captains Courageous, made two years later and directed by Victor Fleming.The only problem with this movie, for me, is that, while the script is good, it sometimes radically abbreviates major moments. (In the edition I read, the novel has 848 pages. Reducing that to a 2-hour movie is a real challenge.) Just as one example: during the storm that is wrecking the ship on which Steerforth is returning to England, Ham, from whom Steerforth seduced Little Emily only to abandon her later, swims out to the ship in order to save the crew. He climbs on board and sees Steerforth, who sees him. There is the potential for a great, elemental confrontation scene there, set against the wild storm, but it is passed over almost immediately to the next scene, where the two men's lifeless bodies are dragged up on shore.Even the great scene near the end where Micawber denounces Uriah Heep, one of the great moments in the novel, could have been given more time to build, though its still very good. (With this cast, how could it not have been?)Definitely worth a watch.
Reviewed by DKosty123 8 / 10

Good Adaptation of Dickens

This film might be the best adaptation of a Dickens novel this side of the epic Scrooge story itself. The cast is stellar & well put together. This film alone is the reason W C Fields had an inside track to be the Wizard of Oz in 1939. If Fields hadn't wanted so much money for Oz, it would have been interesting.

Fields is excellent in a supporting role in this movie. While some of his comedy, especially a good piece of his physical comedy is worked in early in this film, it is his acting that is good. This is Fields best dramatic part in any movie.

Freddie Bartholmew is great as young David Copperfield. Basil Rathbone (later Sherlock Holmes) is excellent in support too. George Cukor is solid in directing this film at a good pace too. Overall, I don't know if a remake of this could be any better. Check this out if you happen upon the film anyplace. Last time I saw it was on Turner Classic Movies.

I am glad I finally saw this as for years I had heard about this film & especially how good Fields is in it. When I finally saw it, everything I had heard about it was right.

Reviewed by jotix100 8 / 10

By Dickens!

George Cukor, one of the best American master directors, orchestrated one of the best screen adaptations of one of the most beloved novels in the English language. "David Copperfield", the 1935 MGM treatment of the classic, is still one of those pictures that will always be enjoyed by movie fans of all ages.

The ingredients that went into the production of Charles Dickens' novel could only have been done by the studio with vast resources as it was the case with MGM. From the superb art direction of the legendary Cedric Gibbons to the Oliver Marsh cinematography and the musical score of Herbert Stothart, all the elements under director George Cukor fell in the right place.

The superb casting adds to the glory of the end product. Freddie Bartholomew was one of the best child actors of that era and in his effortless appearance as the young David, set the right tone for the staging of the novel. Add to that the impressive Edna May Oliver who practically steals the first part of the film. W.C. Fields made a wonderful Micawber and the supporting roles were played by a fabulous array of actors not easily matched then, or now. Lionel Barrymore, Frank Lawton, Basil Rathbone, Roland Young, Lewis Stone, Madge Evans, Margaret O'Sullivan, Elsa Lanchester, and the rest, contributed to bring Dickens' immortal story to life.

A film to cherish thanks to the vision of George Cukor.

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