DIANA was almost universally panned on its release in September, and continues to attract negative comments from users. In truth it is not as bad as it was made out to be, even though some of the details seem implausible (would Diana (Naomi Watts) be able to leave Kensington Palace on her nocturnal visits to Hasnat (Naveen Andrews) so easily, without being discovered or hounded by reporters?) Nonetheless Oliver Hirschbiegel's film does a competent job of portraying the sheer loneliness of Diana's existence in Kensington Palace, surrounded by servants but with no one to love her. Although tremendously popular with people and the media alike, she cannot get close to anyone; and when she does, her love-affair is doomed. Watts does not resemble Diana facially, but she does a good job of conveying both the good and not-so- good sides of her character; her desire to help people, her feeling of alienation from all families, and her tendency to manipulate the media to suit her purposes. The film suggests, perhaps controversially, that Diana brought much of the press harassment on herself, especially when she asks a trusted photographer to take snaps of herself and Dodi Fayed (Cas Anvar), with the sole purpose of making Hasnat jealous, and thereby encouraging him to call her again after a long interval. She certainly knows how to portray herself on screen - as seen, for instance, in her celebrated interview with the BBC's Martin Bashir (Prasanna Puwanrajah), where she deliberately adopts a pose for the camera so as to obtain maximum sympathy from viewers. Nonetheless the film does suggest that she was more sinned against than sinning - a victim, perhaps, of the contemporary obsession with fame and celebrity.

Fatigued dramatization of Princess Diana's complicated love life in the final years before her untimely death in a Paris car accident in 1997. Stephen Jeffreys' screenplay (inspired by Kate Snell's book, "Diana: Her Last Love"), asserts that Diana was on the rebound from a broken love affair with a Pakistani heart surgeon when she died, and was using Dodi Fayed (who was killed alongside her) to stir up publicity and perhaps a bit of jealousy. As seen from a distance playing the piano, or filmed from behind getting out of cars or walking down corridors, Naomi Watts bears a passing resemblance to Diana (her coif is the only thing which will evoke memories of the ill-fated Princess, and even this isn't very convincing when seen in close-up). It isn't necessarily Watts' fault--she gives the part a noble try--but no modern actress should be expected to walk in Diana's shoes and pull off a feat of magic (even the real Princess of Wales found the role difficult to play!). Perhaps it's too soon to reenact this sad bit of history. In any case, the attempt is both crass and pointless, with the jet-setting locales and elaborate camera set-ups only adding to the discomforting feeling of wasted money, effort and time. ** from ****