Dororo is a great genre film. It's an adventure movie kind of akin to a live action 'Ninja Scroll'. In fact, by keeping a simple, straightforward plot (boy's father pledges a number of his unborn son's body parts to demons in exchange for power - years later the boy is a man, and back for revenge) it elevates itself head-and-shoulders above most films of it's kind, as well as the manga and anime equivalents, which tend toward overly complicated and downright convoluted, soap opera-ish plots.

On the other hand, it falls prey to many of the problems of those genres - perpetuating the trend. Problems that include science defying scenes (a little in a fantasy film is O.K., but it gets to a point where... well, suspension of disbelief becomes impossible... no one, let alone an infant is going to survive even a minute without a heart) of which ludicrously over-the-top wire work is just one small part.

To be fair, action movies have been getting dumber, and with more "gimme-a-break" moments worldwide (any British action film starring Jason Statham, or recent Hollywood efforts such as 'Wanted'), still, it leaves one asking do we really need another film in this vein? Movies like Dororo', and 'Hero', are a far cry from the believable samurai pictures of a master like Kurusawa and Mizoguchi.

Still, it's pacing is far better than most, resisting the temptation to have non-stop fight scenes, and a dash of restrained humor thrown in for good measure. And it's fun to catch all the little homages to other films - everything from 'Edward Scissorhands' to 'A Fistful of Dollars'.

If you love the genre, you will love 'Dororo'. If you even like the genre, you will probably really like 'Dororo'. If you don't, it's definitely not going to convert you, and despite it's superiority within the genre, is unlikely to impress you favorably.

"Dororo" is an epic Japanese fantasy movie adapted from a manga series. The story features a male orphan whose body parts have been given to forty-eight demons by his vindictive father and who grows up with an old farmer who puts an artificial body with parts of dead babies together for the poor child. After the death of his adoptive father, the young man without a name, a soul and an own body, crosses the country to get back all parts of his body and discover his identity. To do so, he must find all forty-eight demons and kill them one by one. In a poor village, her crosses a young female thief with a lot of energy. She witnesses his fight with a demon and decides to give up her desperate life to follow the cold and mysterious warrior. Together they cross the country, fight many demons and finally find out that their tragic fates are somewhat connected and lead to a powerful tyrant who fails to unite a shattered Japanese country by taking too many radical decisions.

This movie kicks off very promising. The legendary story around the nameless warrior is very creative. The scenes set in the cabin of the old farmer, the stunning Japanese landscapes and the poor village have a somewhat fantastic feeling and great atmosphere. Both characters are introduced very well.

After a while, the movie starts to get a little bit disappointing. The two main characters are quite opposite from each other and have no gripping connection between them. Their dialogues always turn around the same things and are interrupted as soon as they may start to get interesting. Only in the end, the character development improves a little bit. Of course, it's normal that a soulless warrior who seems to have the whole world against him won't be very emotional and I didn't expect a passionate love story or anything but the whole thing feels simply too emotionless and the movie contains a couple of lengths from this point of view.

The next problem really are the embarrassing slapstick comedy moments. I know that this kind of influence probably comes from the original manga but the gripping story and the slowly built up atmosphere in the beginning really gets some serious cracks at that point. While the female character of Dororo is overall charming and well portrayed, the moments when she seems to be a little bit hyperactive, naive and silly are too present and should have been skipped to make this movie more mature.

It's probably due to financial issues that many just turn out to be ridiculous. Instead of being mysterious as they should be, their appearances are quite silly. The special effects of this quite recent flick are definitely mediocre. It reminds me of the aged stop motion techniques that can be witnessed in old Gamera, Gojira and King Kong flicks. This kind of costumes and effects had a certain charm four or five decades ago but they just are somewhat embarrassing today.

This all sounds rather negative but the great beginning of the movie and a couple of atmospheric scenes throughout the movie, for example the secret of the ugly worm demons that took the lives of twenty young orphans or the moment when the warrior finds out the truth about his existence, pardon for the mentioned flaws. The ending seems to indicate that at least one sequel might follow this flick and I really would like to see them happen and watch them. I would recommend this movie to any fan of fantastic mangas or Japanese legends who doesn't care too much about too old fashioned special effects and a couple of minor lengths.