Eddington

2025

Comedy / Drama / Western

81
Rotten Tomatoes Critics - Certified Fresh 70% · 263 reviews
Rotten Tomatoes Audience - Upright 65% · 1K ratings
IMDb Rating 6.7/10 10 25629 25.6K

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Plot summary

In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.

Director

Top cast

Pedro Pascal as Ted Garcia
Austin Butler as Vernon
Emma Stone as Louise Cross
720p.WEB 1080p.WEB 1080p.WEB.x265 2160p.WEB.x265
1.33 GB
1280*694
English 2.0
NR
Subtitles us  es  
23.976 fps
2 hr 28 min
Seeds 100+
2.74 GB
1920*1040
English 5.1
NR
Subtitles us  es  
23.976 fps
2 hr 28 min
Seeds 100+
2.48 GB
1920*1040
English 5.1
NR
Subtitles us  es  
23.976 fps
2 hr 28 min
Seeds 100+
6.62 GB
3840*2080
English 5.1
NR
Subtitles us  es  
23.976 fps
2 hr 28 min
Seeds 100+

Movie Reviews

Reviewed by Ben_Schwartz_ 8 / 10

"You Are Being Manipulated"

Its thesis is clear. We're all hypocrites. How the old generation has a stick up their ***, too rigid to embrace meaningful change, while the younger generation-damned from birth by social screens, performs outrage on Instagram in hopes of sleeping with Sarah.Ari Aster skewers each political perspective, which in turn makes up a large majority of unhappy letterboxd reviewers, ironically complementing the film's punchline. No matter where you stand, it's naive to believe stupidity is exclusive to one side.All in all, it's a film less concerned with who's right and more obsessed with how dumb it all looks from a distance.
Reviewed by leestoych 7 / 10

Bold yet Polarising

I can only tell this is gonna be a very polarising film, people are going to love the ambition from Aster or call it a convoluted mess.Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
Reviewed by gregwillroot 8 / 10

Unease ride worth the hassle

It's a meticulously crafted powder keg, and Aster lights the fuse with the precision of someone who knows exactly how long the fuse burns. The man doesn't make movies-he engineers experiences. This one? A contemporary western that hums with unease, like a desert wind carrying whispers of something off.Aster's got a reputation for unsettling audiences, but here he trades pagan rituals and family trauma for the sun-bleached nihilism of New Mexico. The tension isn't in the jump scares-it's in the silence between glances, the way a sheriff's badge catches the light just a little too sharply. His camera lingers like a vulture circling, and the editing? Tight. No wasted movement. You'll feel every minute of its 148 runtime, but not because it drags. Because it grinds.Joaquin Phoenix as the sheriff? He's all coiled ambition and swallowed rage, a man who's mastered the art of smiling without it touching his eyes. Emma Stone? She's in her element here, shifting from warmth to withering skepticism like a switchblade flicking open. And Pedro Pascal-quiet, calculating, a performance that says more in a raised eyebrow than most do in monologues.If you're expecting another Midsommar, adjust your sights. This is a different breed-a dark comedy dressed in cowboy boots, where the jokes land like gut punches. The humor's bone-dry, the violence matter-of-fact, and the existential dread? Oh, it's there. Lurking in the background like a bad habit you can't quit.Is it perfect? No. The third act's ambition occasionally outpaces its grip, and not every metaphor sticks the landing. But perfection's overrated. Eddington's a ride-a nasty, hypnotic, memorable ride. Aster's not asking you to like it. He's daring you to look away.My advice? Don't.
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