This film isn't as good as it could've been but it still has a lot of merit and is worth seeing. There is some extremely memorable and disturbing imagery that got under my skin. A lot of these scenes and images were very effective and a lot of them are still stuck in my mind long after watching the film.

The films presentation as a whole is very solid. With some great sound design, beautiful technicolor cinematography and usage of its Tunisian setting. My main issue with this film is that it didn't really have a point overall and the story itself wasn't compelling enough to make up for that. For example with the film Last Year at Marienbad (also scripted by Alain Robbe Grillet) it has a lot of thematic depth and tonnes going on underneath the surface. Which is helped significantly by the hypnotic atmosphere. Eden and After doesn't really have that.

There's not a lot to take away from it and the atmosphere/story isn't particularly compelling. Which does make the film a bit of a slog at points despite the relatively short runtime. The films disturbing sexual imagery, sound design and surreal scenes do help the film a lot. Though I wished those elements were used for a much more compelling, thought provoking and disturbing film overall.

Eden and After is still a really interesting movie with a lot of great things going for it. Though unfortunately it's rather underwhelming which prevents me from calling it one of the great psychedelic/surreal films of the period. If all of the positive elements of this movie were used for a better film. I think this movie could've easily have been on par with Salo, Climax and The Devils which do a lot of what this movie is going for more successfully.

Yikes, talk about self-indulgent. It does start off quite frighteningly as a girl is ambushed in an office by a group of colleagues and stripped on what looks like a sacrificial table! Then we discover that it's nothing more than a bunch of bored and wired students who have nothing better to do than play their own version of psycho-cleudo. Then they encounter the enigmatic "Duchemin" (Pierre Zimmer) who regales them with stories of his time in North Africa and of a special powder that could change their lives for ever. Gullible as they are, off we head to some beautifully pristine Tunisian seaside adobe homes where the rest of this plays out. Surreal is putting the rest of this mildly, so don't be looking for anything akin to a traditional plot as the group start to hallucinate and partake in some real Marquis de Sade kind of stuff. Perhaps it's meant to be erotic - but nudity in itself (almost exclusively female) is not necessarily sexy nor provocative. For the last half hour or so, you could easily be forgiven for thinking you're watching a "Playboy" shoot. To be fair, the randomness and unpredictability does work at times and the whole thing keeps you on your toes for a while, but as it gets towards what passes for a conclusion, I felt that perhaps I'd have volunteered for one of the venomous little scorpions that may (or, of course, may not) have featured earlier. It's far too long, far too slow and no attempt is made to develop any form of characterisation amongst these pretty introspective young folks who are easy pickings for their new mentor. It's was showcased at the abandoned 1970 Berlinale and though I am glad I watched it, I shall never bother watching it again.