The movie has some ideas. The protagonists' psychologies are quite simple and straightforward. The two actresses do a decent job, and overall the plot is quite decently structured. The character of the girl's mother is not really believable though (they should have taken an older, more angry-looking actress!). The major flaw of the movie, though, is in the editing: the images of some scenes seem to be patched together like a Picasso painting (speaking of Spain!). They would have required some more accurate editing. Much more importantly, I am firmly convinced that in the end, Asia is not dead: at the beginning of the movie we hear her say "Eloise, I dreamed I died". The scene where she is hit by a car is therefore part of the dream (which explains the absurdly cold reaction of Asia's boyfriend when she's hit!). With the final scene of the two girls leaving together, then, we get back to reality. The different light used in the final scene aims at underlining that we are on a different plan than the rest of the movie, which is (entirely? or in part?) a dream. This is my interpretation of the finale, but if it's correct, it is not well communicated at all to the viewer!

p.s.: the movie is not in Spanish, as somebody wrote: it's in Catalan, what a nice language!

The obvious thrust of the narrative is toward a central lesbian romance, plainly seen even in film posters, and queer representation that is welcome. But 'Eloïse's lover' also endeavors to present a more complete narrative all the while, with a progression toward that relationship that feels more natural, compared to other pictures one could name.

One can't help but feel that the premise, as described anywhere that one may read it or see it depicted, is a bit misleading. Before we know it half the runtime has passed, then two-thirds, then still more, and the plot has advanced so slowly - in every regard - that it almost feels to have gone nowhere. 'Eloïse's lover' wants to be seen as championing a romance between its leads, while also making it feel organic - yet by the time it begins to meaningfully bear fruit, the picture is near its very end. There's a sense that, as the saying goes, this movie wants to have its cake and eat it, too.

This is much more about the narrative as a whole, the tale of a young woman coming to learn what she wants of life, and to that end the story being told is engrossing and poignant. The ending is sharp and biting, made ever more so by the love Àsia (Diana Gómez) and Eloïse (Ariadna Cabrol) share - and the forces that have worked against them all along, not least of all some despicable displays of homophobia. There is an artfulness to director Jesús Garay's arrangement of shots that one does not anticipate in such a feature, a bent that bolsters a flow that tends to feel a bit lacking.

'Eloïse's lover' is not entirely fulfilling, but it's an engaging feature all the same, with swell performances from stars Gómez and Cabrol, and worth checking out if you're generally inclined.