Expresso Bongo

1959

Drama / Music

1
Rotten Tomatoes Critics - Rotten 40% · 5 reviews
Rotten Tomatoes Audience - Spilled 42% · 100 ratings
IMDb Rating 6.2/10 10 611 611

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Plot summary

A seedy London promoter turns a naive, working-class teenager into a pop singing sensation.

Director

Top cast

Laurence Harvey as Johnny Jackson
Susan Hampshire as Cynthia
Cliff Richard as Bert Rudge
Hermione Baddeley as Penelope
720p.BLU 1080p.BLU
1021.35 MB
1280*544
English 2.0
NR
Subtitles us  
24 fps
1 hr 51 min
Seeds ...
1.85 GB
1920*816
English 2.0
NR
Subtitles us  
24 fps
1 hr 51 min
Seeds 10

Movie Reviews

Reviewed by christopher-underwood 7 / 10

decent enough representation of Soho back in the late 50s

I wasn't sure what to expect from this film, not having seen it back in the day, or since. In some ways it is perhaps better than I had hoped and in another less so. The problem, for me, seems to lie in the stage musical origins. Never having been a fan of such fare, it is those elements, the all singing, all dancing with lush orchestration that I don't enjoy. The more 'street' sections with the lads getting established, the strip club and marvellous Soho location shooting is fine by me but I don't need fat impresarios singing and 'dancing' especially the incredible, 'Nausea' supposedly about the very youngsters he is promoting. Cliff is fine, strangely enough his wavering and erratic singing voice seeming his biggest problem. He must have sorted that out later by sticking to what he was able to deal with. So, I loved the London streets, the decent enough representation of Soho back in the late 50s, the slightly cheeky strip scenes and although the film is not very even, still harping back to its stage roots, it is very watchable.
Reviewed by eye3 6 / 10

Mostly for Cliff Richard fans

It's really about a hustler-turned-agent (Laurence Harvey) and how opportunity comes (and passes him by) via his finding (and losing) the kid-with-talent (Cliff Richard). A scene I liked was where the agent and the label exec (Meier Tzelniker) shamelessly discuss their plans for Bongo Herbert's future - i.e., what can he do for them, never mind what he can do for himself.This might have been a much more memorable movie with a bit more backing and some rewrites. It starts (and ends) by taking us to the cruddier side of London ca. 1960 - strippers, noisy streets, the grime, the neon-lights - all of it filled with the never-was's and the never-will-be's hoping against hope for That One Break. No U.S. movie at the time would ever have thought of this, whereas this U.K. movie did so without any Hollywood-esque qualms about "how will it play in Peoria?"Strange to think: when this movie, about a young rocker getting started, was released there was a band of Liverpool kids who got a gig in a dive on the Hamburg Reeperbahn ...One last bit: check out an uncredited kid named Susan Hampshire. She has four lines but she ante-dates Monty Python's "Upper-Class-Twit-of-the-Year" sketch by 10 years - she does it to a t.
Reviewed by bkoganbing 7 / 10

The British Ricky Nelson

It's been said that Cliff Richard was the UK's equivalent of Elvis Presley. Personally I saw a lot more Ricky Nelson or Frankie Avalon in his musical style. Nevertheless he was and does remain a very big singing star in the British Commonwealth countries though he never was able to make it the USA market as the Beatles who symbolize the next generation of pop stars.He plays what he is a young musical hopeful who gets discovered by Laurence Harvey, a fast talking British cockney version of Sammy Glick. Harvey gives a nice performance here though he's almost as 'on' all the time as Phil Silvers. Sylvia Sims is Harvey's patient girl friend who works as a stripper in a Soho club and Yolande Donlon who was an American expatriate in London plays an American musical comedy star who takes a far more than motherly interest in young Richard. Donlon manages to best Harvey, but the man does come out of the battle none the worst for wear.Expresso Bongo is a realistic look at the British music industry at the beginning of the sixties. Richard sings a couple of songs and does them well in the manner of Ricky Nelson.Best scene in the film when Harvey gets on a panel discussion show with a minister and psychologist about today's youth and their musical taste. Those two and the moderator were certainly not expecting the shtick Harvey gave them. Worth seeing for that alone.
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