For seventy-one minutes the film manages to fit in the deteriorating security situation in Tombstone as the camera flashes to the street for all the shootouts and horseplay. Compared to My Darling Clementine, this one is more easy going. Cesar Romero captures best acting over Vic Mature in the role of Doc Holliday, IMHO if only because Mature's part seemed overwrought, and the part of Holliday seems to fit Romero in a decisively more real way. Even still, the script in Frontier Marshal still caricatures Holliday as overly emotional, especially in the scenes in the saloon where he's purposely drinking himself to death because ex-flame Nancy Kelly comes in on the stage. Still, Romero was a great actor, and his scenes with Randolph Scott as Earp are a nice mix of two actors who had real naturalness. The B&W photography (Charles Clarke) stands out throughout and all the scenes in this movie are well assembled. It is over before you know it.

1939's "Frontier Marshal" was the clear inspiration for John Ford's 1946 "My Darling Clementine," but was actually the second screen version of Wyatt Earp's posthumous tome, a highly fictionalized account of his Wild West days. In the wake of Fox's successful "Jesse James," it's no surprise that they would perform similar heroism toward other notorious figures, with handsome Randolph Scott enjoying one of his earliest lead roles as Wyatt Earp, and heartthrob Cesar Romero in the highly romanticized part of Doc Halliday. The villains are certainly an interesting lot, with John Carradine, Lon Chaney, and Joseph Sawyer among them, they're just totally ineffective against Earp, for whom everything falls into place too easily. Carradine's Ben Carter runs a saloon across the street from the one that does more business (where the broads hang out), so he and his gang resort to occasional holdups to keep things interesting. Carradine actually gets the least amount of screen time, while Lon Chaney's Pringle at least gets to 'dance' before the trigger happy Halliday. By the time we get to the OK Corral, only Sawyer's Curly Bill remains standing to take the fall, Chaney and Carradine casually dismissed in ignominious fashion. The two actors, already teamed as James gang members in "Jesse James," both went on to greater glory by year's end, Carradine in "The Grapes of Wrath," Chaney in "Of Mice and Men." Chaney would reappear opposite Randolph Scott in 1944's "Follow the Boys" and 1947's "Albuquerque," while Carradine appeared with Scott in 1941's "Western Union" and 1945's "Captain Kidd." In addition, Carradine would oppose Wyatt Earp twice more, opposite Hugh O'Brian in the 1959 TV episode "The Fugitive," and opposite James Stewart in 1964's "Cheyenne Autumn." The only character that really resonates is Romero's Halliday, here a surgeon rather than dentist, while Ward Bond (playing the cowardly former Tombstone marshal) not only appears from the 1934 version, but graduated to Morgan Earp in the John Ford remake. It's a solid and enjoyable Western, but below the standard set that year by "Stagecoach" or "Destry Rides Again."

This was the movie which John Ford remade as his classic My Darling Clementine. Here, Randolph Scott plays Wyatt Earp and Caesar Romero plays Doc Holiday, but there are no Clantons or Earp brothers. Instead, John Carradine plays a bad saloon owner heading a gang that is trying to take over Tombstone.

Of course, this movie can't directly compare to My Darling Clementine, but it's a pretty good western in its own right. Its one of Randolph Scott's better early roles.

Many of the classic scenes in My Darling Clementine were taken directly from this movie, and it's very interesting to compare the two. This version of Frontier Marshal was a remake of an earlier 1933 version, and, of course, this story has been told many times since.

The Maltin Guide gives it three stars. Check it out if you're a western fan, or just a fan of My Darling Clementine.