Get Real

1998

Comedy / Drama / Romance

6
Rotten Tomatoes Critics - Certified Fresh 79% · 47 reviews
Rotten Tomatoes Audience - Upright 84% · 5K ratings
IMDb Rating 7.5/10 10 14967 15K

coming out high school based on play or musical coming of age britain teenage love

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Plot summary

Sensitive rural town model student Steven Carter hides his gay feelings, except with his neighbor and best friend Linda. Suddenly his desperate search for partners leads to a blind date with golden boy John Dixon, bound for an Oxbridge career.

Director

Simon Shore Photo
Simon Shore

Top cast

Richard Hawley Photo
Richard Hawley as English Teacher
Louise J. Taylor Photo
Louise J. Taylor as Christina Lindmann
Steven Elder Photo
Steven Elder as Bob - Driving Instructor
Ben Silverstone Photo
Ben Silverstone as Steven Carter
720p.WEB 1080p.WEB
1018.79 MB
1280*542
English 2.0
NR
de  
23.976 fps
1 hr 50 min
Seeds 55
1.85 GB
1920*812
English 2.0
NR
de  
23.976 fps
1 hr 50 min
Seeds 100+

Movie Reviews

Reviewed by darwindocument 9 / 10

A fantastic film which was very close to home.

I have just watched this film as part of Film 4's British Connection. I felt this film was an excellent exploration of homosexuality in the heart of Middle Class Britain. I lived close to the film's location Basingstoke when this was made and am the same age (give or take a year) as the main character, Stephen. Whilst never being as confident in my sexuality as Stephen, I really connected with the story told, his relationship with his parents and the scatter-shot but inadvertently appropriate use of homophobic abuse by the bullies.Also thought the excellent flashes of dialogue uplifted the film such as "Whenever I see that badge (Head Boy) I wish it were an invitation." Priceless. The performances are almost perfect through out (I was a little unconvinced by Jon the Head Boy to begin with but warmed to him hugely as the film and love story progressed.) The cinematography is suitably understated and this is not the most cinematic film ever shot, which I feel helps with the realism. Some of the symbolism is quite fantastic, especially the closing shot, which I wont spoil.I found it to be a much more recognisable film for me than Brokeback Mountain, Not to that films detriment, it is a masterpiece but I may feel closer to this because I have regularly been to the Odean in Basingstoke, but have never herded sheep on a snowy mountainside with Jake Gyllenhall. It is a simple effective narrative about a subject close to my heart and I recommend it highly.
Reviewed by derekkosilla 9 / 10

an A+ for Ben Silverstone.

Reviewed by shrine-2 8 / 10

Ben Silverstone rules!

If "Get Real" chronicles anything, it is that messed-up jumble of a time that gay men have as teenagers, trying to be true to themselves without giving too much offense to those who abhor them. The mixed-up measures they take to express themselves and give expression to their feelings of desire and adolescent lust, suppressed by community morality and repressed by personal fear and self-hatred, unfolds over the London suburb of Basinbroke where a stick figure of a 16-year-old--Steven Carter--sits in or outside a public bathroom, trying to make contact with someone. He finds it unexpectedly with the big man on the high-school campus who garners immeasurable pleasure from their private meetings, but cannot bear the thought of being outed. The story passes through a grist mill of situations that leave the viewer with the simplistic notion that everything will be fine, if you just have the courage to be yourself with others. If it were that easy, I'm sure Brandon Teena would still be alive today.Adapted from Patrick Wilde's play "What's wrong with being angry," "Get Real" sends a manifesto to parents and teachers about the supposed pressures they may be putting on their children, gay or otherwise. If you're willing to accept it on this level, the movie functions as an emotional release for all those pent-up gay teenagers who couldn't vent their anger and frustrations at the forces that impose on their burgeoning dreams. But if you try to take it any deeper, then you'd have to consider the internal struggles of John Dixon, the object of Steven's desire, because that is one of the few places in this movie where something is at stake. Johnny (as Steven likes to call him) travels a thornier road, and although Brad Gorton doesn't quite seem up to the challenge, his self-conscious jock does not seem so much a coward in the end as someone saddled with all the trappings of his gentrified upbringing who doesn't want to let go of them. Johnny Boy's smart, but like all teenagers, he's thwarted by desires that defy his good sense.And that is a shame, because if there ever was reason to give up everything for love, Ben Silverstone would be it. He is the real find in this picture. He's the most elegantly constructed scarecrow to touch the silver screen (Seeing him, Conrad Veidt and "The Cabinet of Dr. Caligari" come to mind.), and it's amazing what calm he brings to the center of this movie. Unlike newcomer Gorton, the camera loves Silverstone, and it takes him in as if he were born to be in front of it. If that weren't enough, this young actor (He is about the same age that Steve should be.) has a voice that rivals Jeremy Irons for expressiveness and majesty. Imagine him as Hamlet or Edward II or in a remake of "Brideshead Revisited" and that sultry sound pouring forth in velvety plenitude. Why, it's enough to make you stand up and salute the Queen Mother.With Stacy Hart as the iridescent Jessica whose dance with Steve is probably the sexiest scene in the entire movie.
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