This movie seems to be experiences of various Vietnamese people during the stay in the refugee camp. It has been sentimentalized, casting it as some sort of good old memories. Plus it seems most of the people who made it out are the ones, by whatever circumstances, either having power, connection, money or being in the armed forces. So we get a view biased toward the well to do who favored what we did for them.
The many little stories intertwined together gives an overall concern that most of the Vietnamese had when they first arrived, with a few like the Camp manager/Patrick Swayze character and Kid/Forest Whitaker character thrown in to reflect American's own remorse and problems.
I found that some of the subjects covered to be a bit abrupt, since many of the characters were not introduced, instead were thrown into the action. Like the man with two wives, and the husband and wife with the pictures of their son, who were dragged out of their beds in the middle of the night. Seeing the deleted scenes on the DVD made the characters more rounded and their situations more understanding, allowing us to connect with them better.
Many of the more important subjects seems to be lightly touched upon, and the whole American issue seem to play us out as the savior, as opposed to the aggressor. Even the radio reporting of seem to play to the fear of the well to do Vietnamese since they were the ones being preyed upon during the fall of Saigon, which is not unusual in situations where the oppressed overtakes a imperialist backed government.
Most of the acting were very humanistic, but I found Patrick Swayze a bit too apathetic, never allowing us to believe that he is filled with guilt. A big part is probably his natural facial expression, which does not gear toward the sorrow look.
All in all, still a good movie to see so that we would know what the people experienced when they first came to the US. A little less mush and a little more on the heavy or more controversial topics would have been welcomed.
Plot summary
A tale about Vietnamese refugees sent to an orientation camp on the Camp Pendleton Marine Base in California, 'Green Dragon' focuses on a young boy and his sister. Set in 1975, the film chronicles the stories told to the two children by other refugees in the camp and of Tai Tran, who dares to introduce himself to Sergeant Jim Lance. In developing a relationship with Lance, Tran is able to improve
Uploaded by: FREEMAN
October 03, 2022 at 07:39 AM
Director
Tech specs
720p.WEB 1080p.WEBMovie Reviews
Memoirs of Vietnamese who were lucky enough to escape their country
I love this great movie
This movie is really good and this movie stars two actors that i really like and the actors are The great Forest Whitaker from the great movie Phone Booth and Patrick Swayze from the good movie Ponit Break.This movie some times gets a little bit boring And the acting by the hole cast in this movie is really great.
There are some good scenes in this movie like when Forest Whitaker and a kid (Trung Nguyen) are panting a wall and when they finished it turned out to be really beautiful specially the Green Dragon in the painting.
Over all this movie is really great and my rating is 7 out of 10.
Part history, part drama, all lackluster, all earnest
Along Southern California's coast, midway between Los Angeles and San Diego, sprawls Camp Pendelton, home to about 50,000 U.S. Marines. Less than an hour's drive to the north, not far from Disneyland, is a Vietnamese enclave of about 200,000 without political boundaries which the road signs call "Little Saigon". "Green Dragon" peers into the lives of a handful of Vietnamese who, in 1975 during the fall of Saigon, occupied a refugee camp at Camp Pendelton and went on to be assimilated into American society and establish communities such as "Little Saigon".
Part history lesson and part drama, "Green Dragon" is sensitive look at a people in flux agonizing over their expatriation and fragmentation while coming to grips with an uncertain future. The film is a somewhat uneven and austere hodgepodge with the look of a low budget indie. However, what it lacks in embellishments it makes up for in nobility of purpose and should be appreciated by those with a special interest in the time and the people involved. (C)