This Hitchcockian comedy-thriller misfire re-united star Gene Wilder with actor-turned-director Poitier after the box-office success of STIR CRAZY (1980; which I should be getting to presently), but it was also the fourth and last collaboration between Poitier and Richard Widmark – the others being NO WAY OUT (1950; Poitier's debut), the similarly maligned THE LONG SHIPS (1963) and the superb THE BEDFORD INCIDENT (1965; produced by Widmark). Incidentally, HANKY PANKY was intended as a follow-up to SILVER STREAK (1976) and STIR CRAZY itself as yet another teaming of Wilder with Richard Pryor – but the latter's role eventually got turned into a female character and played by Gilda Radner (from TV's "Saturday Night Live"). The two stars would then fall in love and marry but, alas, the relationship was not long-lasting as Radner would die within 5 years! Anyway, while HANKY PANKY is hardly terrible, it is far from a classic either: the thrills are largely mechanical (leading predictably to violence, a case of mistaken identity for the bewildered hero, and elaborate action for the denouement) and the laughs – the genuine ones, that is – too few (mostly, it is Wilder doing his idiosyncratic hysterical shtick). Radner herself, to say nothing of Widmark (albeit still effortlessly intimidating at 68), is somewhat underused; notable supporting roles, then, are played by Kathleen Quinlan and Robert Prosky as Intelligence operatives – respectively pursued by and pursuing Widmark and his henchmen.

In 1982, Gene Wilder took a break from writing and the director's chair to solely serve as the star of Sidney Poitier's 1982 film Hanky Panky. Pairing with him as a female lead was Gilda Radner. The two first met on the set and love quickly blossomed culminating in a marriage a few years later. It all began on Hanky Panky where the two principles become two people, one wrongly accused of a crime, running from the law together to protect their names and solve a mystery while they're at it.

Michael Jordon (Gene Wilder) is an architect visiting New York on business when he jumps into a cab with a distressed woman, Janet Dunn (Kathleen Quinlan). Through flirting and trying to get Janet to have a drink with him, she tells him she is on the run and asks him to put an envelope into a mailbox for him. Michael obliges and unwittingly puts himself in harms way delivering this package. to try to clear things up, Michael travels back to the hotel she was staying in, only to find her in a scuffle with another man. Being filmed on camera at the scuffle with a gun in his hand, he is believed to be the nefarious character she was fighting with. With everyone chasing him despite his innocence, Michael tries to evade, seeking refuge in the apartment he was staying in while in New York. As he is packing his suitcase in the apartment, a woman Kate Hellman (Gilda Radner) comes in, and believing she is a burglar, Michael fights her until the lights are turned on and the two realize neither is a danger. When the police show up at the apartment, Michael has to leave immediately, and Kate decides to come with him to both aid in clearing his name and investigate her brother's death personally. Neither can expect just what they will have to do to get these goals accomplished, but are in it together, as long as it takes.

It is almost magical to see a real life romance blossom on-screen. Gene Wilder and Gilda Radner's incredible chemistry is apparent, even if one is only half watching the film. The chemistry is sensational; you can really tell the two are falling in love, and makes Hanky Panky all the more fun to watch. There were also a number of great comedic gags in the film. The scene in which Michael takes over flying a plane is almost as hilarious as the scene in which Michael needs a change of clothes and takes a magic suit and can't find his change on a bus. The comedy was not without its flaws, however. For instance, there is so much going on in the film that not everything gets fleshed out by the film's end. The entire mystery is never solved, or revealed to the audience, so it is a little hard to become too invested in the film. That being so, Hanky Panky is a good Saturday night comedy that you won't regret watching, even if it's only to see Gene Wilder and Gilda Radner fall in love.

Gene Wilder plays the amusingly named Michael Jordon, an architect from Chicago, in this comedy / thriller. Jordon is an innocent guy who gets swept into big time trouble after sharing a cab with an operative named Janet Dunn (Kathleen Quinlan), who's being pursued by traitorous American thugs. They desperately want their hands on a valuable computer tape, and will do anything to get it. Wilder's real-life love Gilda Radner plays the young woman eager to help him out, and she has her own reason for doing so, although he won't be aware of this for a while. Not only are these spies out to get him, but the cops in NYC assume him to be a killer. (When WILL innocent movie characters learn not to pick up murder weapons?) Knowing that "Hanky Panky" was originally intended as a reunion of director Sidney Poitier and actors Gene Wilder and Richard Pryor (after "Stir Crazy") makes one wonder what could have been, as the comedy fireworks would certainly have been even greater. As it is, Wilder and Radner (who's cute and adorable) do have an energetic chemistry. The movie itself is pretty entertaining and energetic itself, moving along very well and offering up some good action sequences; Poitier does a nice job with the material. The movie actually takes itself rather seriously much of the time, but there are still some good comedy moments, especially when Michael steals a tuxedo and, while aboard a bus, realizes it belonged to a magician, and the sequence with a sickly airplane pilot where Michael has to take the controls. Suffice it to say, there aren't many people who can freak out as well as Gene Wilder. "Hanky Panky" finds him in fine form, and the supporting cast features a slew of recognizable and reliable actors. Richard Widmark, as the chief heavy, shows that he still had great villainous presence on screen, well into his 60s. Also appearing are Robert Prosky, Josef Sommer, Johnny Sekka, Jay O. Sanders, and character actors Pat Corley, James Tolkan, Beau Starr, Frankie Faison, Larry Pine, William Sadler, and Victor Argo in small roles. This is of course no "North by Northwest", but it's not bad at all, either, remaining agreeable entertainment for a lively 108 minutes. At the least, it's worth noting that this is where Wilder and Radner met. Seven out of 10.