Head On

1998

Drama / Romance

9
Rotten Tomatoes Critics - Rotten 58% · 24 reviews
Rotten Tomatoes Audience - Upright 68% · 2.5K ratings
IMDb Rating 6.5/10 10 4745 4.7K

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Plot summary

Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he's facing problems with his traditional Greek parents, who have no clue about his sexual activities.

Director

Top cast

Maya Stange as Janet
William Zappa as Vassili
720p.BLU 1080p.BLU
957.07 MB
1280*690
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 44 min
Seeds 2
1.73 GB
1920*1036
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 44 min
Seeds 3

Movie Reviews

Reviewed by flingebunt 8 / 10

Heads up

When the booked "Loaded" was released the author explained that the reason he wrote the book was that there were already enough gay friendly movies and books out there to allow him to write an honest portrayal of gay life. It is not negative, it is simply honest.Ari (played by the Hunk of Australian TV and movies Alex Dimitriades) is a young Greek man who is gay but is definitely not going to come out of the closet.He desires nothing more than to have a girlfriend, a family and be normal. But he knows he can not.So we follow on day in his life. It starts with him masturbating in the house he slept the night. He then faces a day of numerous challenges.Losing his money during a gay encounter (of the wink wink, nod nod, go into the back alley for a head-job type encounter). Getting the money so he can buy drugs, more sex, more drugs, more sex, drugs (surely it would fall off with that much use), police harassment.But there are ways out. He can be a gay guy and have a loving open gay relationship, he can marry a lesbian and pretend to be straight, he can even go to the extreme and be a drag queen or he can stay the way he is.This movie is packed with messages. Every scene has a meaning and as a result it is often considered pretentious.It is a movie about being gay and the issues with it. What makes it different is it doesn't spend the whole movie agonizing over the issues and boring the audience stupid, instead it bombards you with them leaving your head spinning by the time you leave the cinema.Oh...and if you love big dark skinned, dark haired Greek guys you will love this movie.
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Reviewed by moonspinner55 6 / 10

"That's what's wrong with this country...everyone hates everyone."

Culture clash in modern-day Australia, as a 19-year-old Greek named Ari, handsome but feckless--and prone to snorting and shooting drugs--rebels against his hot-tempered papa, a man of values and culture but perhaps stuck in the past. Ari's inner-anger is all-encompassing; he lashes out at his family, at his diverse neighborhood (which appears to be an otherwise peaceful agglomeration of working-class Asians and middle easterners) and at girls who find him attractive. Ari's father is shown as disappointed with his wife and children, but even in the flashbacks there aren't any clues as to what would've made this man happy (he and his wife protested for Greek rights, but does he want his son to continue this fight--and what would the fight be about, the same issues the father fought for?). As Ari, Alex Dimitriades struts and preens like the next John Travolta (in fact, some of the home front squabbles, particularly one around the table, seem lifted from "Saturday Night Fever"). It's a risky role for the actor, who must keep up a perpetually ill-mannered demeanor, complete with lusty, angry homosexual activities which Ari keeps secret (his father hates 'poofters'); yet, Dimitriades, self-enamored and intense, makes the part work for himself and the audience. He's helped a great deal by director Ana Kokkinos, who also co-adapted the screenplay from Christos Tsiolkas's novel "Loaded" with Andrew Bovell and Mira Robertson. Kokkinos keeps the camera busy and free-flowing, although she stumbles when attempting artiness, which in this case is akin to dreariness. Some marvelous moments emerge in what could have been just another coming-of-age melodrama. **1/2 from ****

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