One of my favorites, despite all the historical inaccuracies. As a Canadian, I feel a certain pride watching it repeatedly.

Filmed in Alberta, Canada for its wide open space and abundance of horses. Morley Flats standing in for the Plains of Kawanakajima. 3,000 Canadian extras and 1,000 horses were used for the huge battles. During the filming, several behind-the-scenes TV documentaries were made and I was fortunate to video-tape most of them.

Alberta's superb riders, cowboys and cowgirls, and native Americans, 1,000 of them were employed to appear as mounted samurai. 2,000 other extras were transported by schoolbuses to the shooting location to appear as samurai infantry. Many were young kids, many were young girls, because they were the right height to fit into the thousands of samurai armor used for the film. These extras were trained in spear-fighting and drilled to march in unison.

To hide their Caucasian features, the 3,000 Canadian extras all wore armoured face guards. These technically made them all Samurai. One of the flaws in the film, since the bulk of actual samurai armies were composed of peasant soldiers (ashigaru), whose faces would have been exposed and unarmoured.

As a Canadian, I still get chills watching the spectacular battle scenes. Those Canadians made fine samurai.

Having just watched this movie on a whim I was quite impressed with the scope and choreography it must have taken to organize the battle scenes, which are of course tremendously filmed. I am however a prototypical american, and it's nice to see a little blood in battle scenes. I was often thinking while watching about the battle scenes in Braveheart. I wouldn't say that need necessarily be that bloody, but a war without blood seems to miss the point of war. Nothing in this movie looked painful. War just looked like a game of people riding horses in different directions.

I found the non battle scenes in the movie to be a nice balance though the charecters could have been worked on.....why are Kagetora and Nami in love???? What reason? Because she's there?

If this review is coming off negative then I'm not making myself clear. I did enjoy the film and have very little knowlege of 17th century Japan so as not to know of any historical flaws. I find it a bit amusing that it was filmed in Canada....donuts anyone, eh? But all in all pretty much any movie is cool if it has one samurai. When you have five or six hundred you're in for a good movie. I'd recommend this to people who hate black and white too much to sit through the three and a half hours of the Seven Samurai. 8/10

It is difficult to imagine a more visually stunning film than this one. The landscapes and skies are beyond beauty, and the massive battle scenes dwarf anything I've ever seen, even perhaps Bondarchuk's "War and Peace." This is one of the first films I've seen that conveys a believable sense of thousands (rather than hundreds or dozens) of soldiers in simultaneous combat, and the color-coded armies are both amazing to consider as fighting entities and astonishing to watch as masses of moving color and light. The final half hour is one of the most amazing feats of logistics and color ever put to film. Now if only there were a story worth following. Basically, there are two armies and the two armies fight or pursue each other. There is a minor attempt at personalizing the leaders of each army, but it all seems merely a formality, and a very unsuccessful one. There are no characters such as found in the great war movies, either in small films like "A Walk in the Sun" and "Nobi" ("Fires on the Plain") or in epics like "Ran" or "The Longest Day" or "Lawrence of Arabia." No, we're just told (I repeat told; I refer to the English-narrated version) that these people have enmity one for the other and that there is reason for battle. Then we watch the battles (or more often, the planning sessions). When battle comes, it is spectacular beyond expectation. But in the end, no one, not even the filmmakers it seems, cares who won or whether anyone did.