This is a picture of Mexico's reality: drugs, violence, corruption and zero opportunities to people. Estrada is a no-fear director that shows what are happening in my country, he told about corruption in police corps, army, politicians inclusive with president Calderon y former's presidents, the church (catholic) has a important role in the film. Damian Alcazar is a warranty, Joaquin Cosio, Gomez Cruz, Maria Rojo, Salvador Sanchez all of them great actors that make a brilliant movie. The story is about Benny Garcia (Alcazar) a deported Mexican who found his town worst than ever, without job and no money he was introduced to mob group by his best friend Cochiloco (Cosio). Love and violence, loyalty and human feelings is mixed in this picture. Congratulations to Estrada for his courage to say the things like are in a country like Mexico.

This makes movies like Scarface look second rate. It's well made and high quality. The subject matter is impressively dealt with, though there are no surprises for those that know the subject.

The characters have real warmth, even though the events are presented in cold, brutal fashion.

Most movies about the drug wars have a small Latino element. They assume the person watching has never heard of Mexico, they have clichéd characters and information overload so the movie-goer is 'educated'.

The story packs in quite a lot, but in a relaxed style.

It's probably one of the most believable gangster movies ever made. The characters are well developed. They never apologise for what they're doing, but they're aware of what they're doing.

Worth watching before if you're about to snort cocaine. Just to see where your money goes.

Estrada's "El infierno" is a must see movie. Estrada has come back again in force from La "Ley de Herodes" (Herod's Law). In that movie, Estrada made a well depicted view of Mexican society in the late 1990s and we couldn't get worse back then. How wrong we were: It has. The satire portrayed in El Infierno shows how we are really at the gates of hell in a civil war that nobody wants to see or acknowledge. The movie has spectacular shots of the San Luis Potosi Desert that serve as a framework to develop all the memorable characters in the film, like Damian Alcázar Benny that transforms itself from a naive character to a ruthless hit man; or Joaquín Cosío (Cochiloco) both salvage and family man. Even with the pessimistic mood and end message of the film, it is commendable that has been partially financed by public funds and that is having a well-deserved attendance in commercial theaters. Highly recommended.