I came away feeling that the father did not prepare Hemel for life without him. It's not a skin flick but simply a warning NOT to raise a daughter as this one did. She deserved better.

(In Dutch with English subtitles)

The name "Hemel" as the movie is called is reference to the character played by Hannah Hoekstra, and at the opening she's already making out with someone. And at first, I thought the person she's making out with must either be her boyfriend or her spouse. The next thing I know, Hemel is dancing with some random guy- not the same guy at the opening at a nightclub, and she tries to hit on him with her advances and he's like 'that he is not like that'. Feeling somewhat rejected she then decide to go and sulk at the bar, with the second guy sitting next to her who is much more willing to make out with her, and they just like, met and are like, stranger's- in other words, she is as promiscuous as they come. And while watching this, one can made to wonder where does she get this from? Oh, look, this old guy, Gijs (Hans Dageletin) which she strut around naked sometimes happens to be her dad. Like a parent treating his or her naked baby. There's even a scene when her dad carries her to use the toilet. And if anyone were to wonder why we do not see Hemel like, work anywhere, it is because her dad, successful as a businessman pays for her security, including the flat that she lives in. And while Hemel loves to make out with different guys, her dad who is single loves to make out with different women. In other words, he is a womanizer who does not really know how to settle down. And it sometimes offends her as she sometimes ruins his relationships he has with other women. Directed by a woman by the name of Sacha Polak, as well as the script also by a woman by the name of Helena van der Meulen the movie is self-explanatory and would not have worked if it was directed and written by a man.

Pretentious skin flick. The writer and director really have nothing much to say, but say it anyway. So what you have is 80 or so minutes of waffling, drifting, meaninglessness.

To alleviate the boredom, and make more men watch the movie, there are a few sex/nudity scenes. Even these aren't appealing, as they are fairly perverse and seemed included to gross out the audience. In some way they do go to demonstrate the personality and life of the lead character, so aren't entirely gratuitous.

Performances are okay, I suppose, given what the actors had to work with.

Best thing (and only good thing) about the movie is the end, of course. And it seems to arrive out of the blue. One of the more pleasant surprises in my movie-watching life.