I recently watched House of Terrors (1965) on a random streaming service. The plot revolves around a man who was tortured and killed in his house. Years later, his widow visits the house, discovering that her late husband's servant still resides there. Strange occurrences begin to unfold, and as she delves into the mystery of her husband's fate, her own life becomes endangered.

Directed by Hajime Satô (The Golden Bat), the film features Kô Nishimura (Yojimbo), Masumi Harukawa (Ultraman Leo), Takeshi Katô (Yojimbo) and Yûko Kusunoki (Goke, Body Snatchers from Hell).

This film excels in creating the perfect atmosphere and ambiance. The settings and background music contribute to a captivating and eerie atmosphere, while the cast delivers strong performances. The portrayal of the hunchback character is particularly well-executed, and the old lady's role is outstanding. The film also skillfully incorporates elements of humor to heighten the intensity. The storyline is intriguing and reminiscent of House on Haunted Hill in certain aspects.

In summary, House of Terrors is a worthwhile Japanese haunted house movie, which was so popular in all cultures during this era. I would rate this a 7.5/10 and recommend watching once.

House of Terrors is Japan's answer to all of those European gothic horrors of the 60s: it takes place in a sprawling mist-shrouded mansion that comes complete with a curse, a hunchbacked housekeeper (Kô Nishimura), and a massive statue of a demon in the hallway!!! When her husband dies after a bout of insanity, pretty widow Yoshie Munakata (Yûko Kusunoki) inherits the old house, unaware that it is haunted by the vengeful spirit of a very miffed baron who has vowed that no-one will leave the place alive.

Director Hajime Satô uses all the tricks in the book, with mysteriously opening and closing doors, wailing voices, and other assorted supernatural occurrences, including a memorable seance in which the medium, a creepy old woman, becomes possessed by Yoshie's dead husband. The script is par for the course, with several disposable characters, a flashback revealing exactly why the baron isn't resting in peace, and an exciting climax in which Yoshie is menaced by the hunchback, who plays host to the baron's murderous spirit.

Well paced, with solid performances, effective black and white cinematography, and a surprisingly downbeat ending, House of Terrors delivers almost everything one would expect from a 60s gothic horror. Except for Barbara Steele.

6.5/10, rounded up to 7 for the bulging door effect.

N. B. I streamed a crisp print of this in its original Japanese language with subtitles, so a decent version is out there.

The Internet Movie Database lists this film as House of Terrors. I have only read reviews of it under the title The Ghost of the Hunchback, which is not correct since the hunchback is not a ghost. The print I purchased from Video Screams had the English title of Satan's Pit, which suits the film best. Regardless of title, this is a diverting Japanese spooker.

The plot has a newly widowed woman discovering that her former husband owned a country villa. She and a group of relatives, including a skeptical doctor, go to the villa. There they are met by a hunchbacked caretaker, who tells them that murders have occurred in the villa. Soon the guests are hearing noises and seeing strange sights.

Another reviewer compared this film to The Haunting. This is an accurate description, but Satan's Pit lacks the power of the Robert Wise classic. Firstly, the "scary" moments are not overly scary. Secondly, while I respected the filmmakers for giving the house a history, the secret, when it is revealed, seemed rather odd considering what had preceded it. Then, again, this is a Japanese horror film, and sometimes they take unusual turns.

If the film is remembered, it is because of its atmosphere and not its plot. Unfortunately, the film's atmosphere is the aspect I am least comfortable in judging. The print I saw, while subtitled (which is rare), was very hazy. Watching it reminded me of my childhood days of trying to view a snowy television program which our country antennae could just barely bring in. From what I could see, Satan's Pit looks to be a minor footnote in the genre rather than a lost horror masterpiece. Nonetheless, I was interested enough that I would give the film another chance if I came across a better looking print.