There are a lot of terrific elements in this movie. It is moody and atmospheric, subtly ominous, and like many Lewton movies leaves its supernatural elements ambiguous.

But the most unusual thing aspect from a 1940s movie is how it treats black people. First off, note that the West Indies natives don't speak in either the "yass ma'am" or "ooga booga" styles that represented the entire spectrum of black portrayals in the U.S. at the time. They talk in slightly accented, but perfectly normal English.

Also, the movie specifically mentions the slave industry at least twice. There is a wonderful scene near the beginning in which the main character discusses the island's history with her driver. He mentions they were brought here in chains and she says, well at least they brought you to a beautiful place. "If you say so," he says, very politely

That is such an awesome exchange. He is a servant and he's not going to argue with her, but he also won't kowtow. It is a conversation you can actually believe would happen.

The movie also shows surprising respect for the Voodoo aspects. The natives believe in it, but they aren't mocked for it, and in the ceremony they do actual African dance, instead of some weird Hollywood fakery.

The movie, again typical of Lewton, has a lovely complexity to it. Characters are more than they appear to be, and their motives are not simple.

It's not a perfect movie. Some of the acting is less than stellar and I suspect some explanatory scenes were cut, as it sometimes feels rushed and slightly disconnected. But it is not to be missed.