Depression-era, rags-to-riches story with Natalie Wood as the tomboy-heroine abandoned by her father and living with her eccentric mother in a run-down shack by the seashore. Discovered by a film producer (the darkly sinister Christopher Plummer), Daisy quickly achieves stardom as a musical singing star (a la Judy Garland) but, unable to cope with the sudden fame, she escapes into a romance with matinée idol Robert Redford. Later realizing that Redford is gay and that her studio sees her only as a commodity, a disillusioned Daisy has a nervous breakdown and attempts suicide before finally finding the strength to turn her back on Hollywood. On the face of it, this film (based on a novel by Gavin Lambert) sounds compelling but too many cartoonish situations and characters (particularly Daisy's mother and sister) undermine the story. Natalie Wood, herself, is allowed to overdo the tomboyish nature of Daisy's personality (she's like a female Huck Finn). Christopher Plummer and Robert Redford are both very good, however, and, in supporting roles, Roddy McDowall and Katherine Bard lurk mysteriously in the background (Bard seems to belong in a different film entirely. When she confronts Daisy following Daisy's failed marriage to the matinée idol, it's like Jane Eyre coming face to face with Rodchester's mad wife). A disappointment.