Returning to her childhood home in Louisiana to recuperate from a horrific car accident, Jessabelle (Sarah Snook) comes face to face with a long-tormented spirit that has been seeking her return -- and has no intention of letting her escape.

"Jessabelle" is directed and edited by Kevin Greutert, who made his name as part of the "Saw" franchise crew (he was involved in all of them, and directed parts six and seven). Keep in mind, though, these may be targeting two different groups of horror fans: "Jessabelle" is a much slower burn than the "Saw" films, and relies much less on the use of shock and gore.

Sarah Snook is relatively new on the scene, her acting career really getting launched in 2009. She is front and center here and makes a strong leading lady with a good look, too. No one should be surprised she has half a dozen projects coming out in the next year.

For much of the film, the eeriness relies on a dead mother with a strong interest in the occult (especially tarot), who communicates to her daughter through old VHS tapes. This is something of a clever way to unravel the plot... somewhat slow, but not quite boring.

For those who want a little something more, the terror picks up in the third act. Things never really get above a PG-13 level of scary, but sometimes that is all you need. For those who loved the "Saw" films and want to see that Greutert was not just a one-trick pony, this is something to check out.

I first saw the trailer for this flick in April of last year, at a showing for The Quiet Ones (bad movie, by the way; do not recommend). Being quite the fan of the southern Gothic genre, I wasn't exactly impressed by the trailer but wanted to see it regardless. For some reason or other, Jessabelle never made it to my local theaters - thus, I had to wait for the inevitable RedBox release to follow in January.

And what do you know, I finally got to watch it.

Jessabelle is not a perfect movie. It does have its flaws. It does have its clichés. But it is an honest attempt at making a horror flick and it does work. The atmosphere lends a hand, with spooky southern mansions and dark bayous. And as it so often does in stories like these, voodoo eventually takes center stage.

After recent horror releases like the dismal Oujia (a movie I personally despise), Jessabelle is a welcome change of pace. It is a slow-burner that brings to mind films such as The Skeleton Key (albeit 'Key being a superior effort).

The cinematography is quite good and the acting is effective. Sarah Snook is certainly leading lady material, and you can see her potential here front-and-center. Providing a sympathetic lead can make or break a film like this and Snook does not disappoint. A side note is that she is totally gorgeous and looks just the part for a sweet southern belle.

Final verdict: Jessabelle is nothing groundbreaking but one of the better horror flicks in recent years. Sarah Snook is one to keep an eye on. Worth a rental, but if you want to buy I'd say wait for it to hit the bargain bins.

After watching the trailer for this film, I must say I had really high hopes. As a devout Horror fan with a declared preference towards ghost stories and hauntings, I had looked forward to seeing another usual film of the genre, mediocre yet frightening and fun to watch.

While Jessabelle is light-years away from competing with the sub- genres best like The Grudge or Dead Silence, it completes the task it unofficially took upon itself, as it obviously had no intentions of being profound or in any way great. Sarah Snook, while definitely not painful to look at to say the least, is far more than your usual Horror Eye-Candy made famous in classic Slashers. Trust me, this professional knows a hell of a lot more than screaming convincingly and looking fine in a bathing suite. This was my first encounter with her, and I must say she just might be the best thing about Jessabelle. Apparently she's been making quite a name for herself since 2012, and I can definitely see why. Even though her character is stuck in a wheel-chair, the empathy towards its desperation and helplessness is greatly created by Snook's acting skills.

As for the story, it suffers from one of the known banes of Horror - a mediocre plot twist leading to an anticlimactic ending, after a finely made build-up. At least there is a plot twist, true, as Horror films are highly upgraded by these in my opinion, but the one in Jessabelle simply feels unfulfilled. I find it difficult putting my finger on what should have been better about it, I just know it didn't create the sensation we expect from such twists. I believe that was the main reason for the ending being slightly wanting.

All in all, I found Jessabelle to be quite average, meaning anyone who doesn't expect to have their mind blown and being swept off their feet by a masterpiece could enjoy it quite a bit, as I did. Snook's acting and the sufficiently smart plot make it even slightly above average. As always, I would recommend that you ignore my humble opinion, watch it and judge for yourselves. If you ask me - as far as this one is concerned, it's definitely worth it.