Eric Zonca directed the sublime 'The Dream Life of Angels', a beautiful story of female friendship and existential despair. 'Julia', his first film for 9 years, is equally powerful, but much less charming. Tilda Swinton is great as Julia, but her character is absolutely unlikeable; the plot, meanwhile, though harrowing, in places strains credibility, especially in its portrait of Mexico as a literal hell on earth. Yet Zonca's talent is also on display, and the story commands your attention in spite of its unpleasantness. The ending is ambiguous, potentially interpretable as redemptive, but not clearly so. I'm not sure this is a great film; I am sure I want to see more from this director.

INTRO:

One weekend, some weeks back I went to the movies with friends intending to watch 'Into the Wild'. But as things go in groups, somebody had already seen it and before I knew it plans were laid to watch a film about a girl who got gets pregnant – I protested (I hadn't even read the review on IMDb!!!) but I ended up watching it anyway – the result being 'Juno' just blew me away.. the story, the acting, the dialogs and of course – the soundtrack!

Once again I was to go to the cinemas… this time I had no real choices - the other options were Jumper, 10000BC and Julia (I'd seen the other good flicks already). I knew from 'trusted sources' that Jumper sucked and 10000 BC didn't really meet our high standards ;) So it came down to Julia - I didn't know what to expect of this film.. THERE WAS NO REVIEW ON IMDb!!! BUT I got brave - maybe I'd learned a lesson after having ventured into the unknown with Juno – or maybe it was the 50% discount at the movies this weekend.. I watched Julia!

The FILM:

When I came out of the cinema I swore to myself that this would be my first movie review on IMDb – not so much for the sake of writing a review but for the fact that I'd hate to let a good film go un-noticed! And Julia is a good film, it's a very good film – for it kept me glued to the screen once I got 'into' the film – which happened about 20 minutes into the movie..

Tilda Swinton played an award-winner of a role as the ever-cursing Julia Harris, who makes it a habit of waking up, unaware of where she's been sleeping. You know, the ease with which she plays an alcoholic totally convinced me that she did drink all that vodka during the making of the film. And unlike her other films, the camera does not show her in that special way that highlights her lovely eyes supported by those high, rounded cheekbones. But you will still fall in love with her – and you will also cut down on the alcohol and cigarettes and give up any ideas of easy ransom-money.

From the kidnapper to the kid-napped Tom – played by the talented Aidan Gould starts off as a kid who is made to nap all the time, more to make it easy for Julia to manage him than to keep him from escaping. But after he has been shoved around a bit, Julia starts to learn how to handle the kid and keeps him awake a lot more, and you start to see some interaction between the two.

Julia treats Tom as a mature individual and their conversations show that the kid does have some mature ideas in his head, probably only put there by his millionaire grandfather who is also his sole guardian - but he is quite smart for his age. He also starts to display a range of emotions, more than just fear or anger. You have to see the film to realize how delicate these are. My favorite though, was the look on his face when he wakes up next to a girl one morning – I wont tell you where or with whom or how, as that would be a 'spoiler' …literally!

Well, these are the two main characters that really 'make' this film and around them you will find others playing short but not insignificant roles. I could go on to give you my observations of the characters and my guesses on their lifestyles and make psycho-social analyses. But those are the kind of reviews which restricted my imagination as I watched other films – they didn't help me so I figure it won't be good for you either my fellow movie-lover-speculator…

To sum up, the film has a simple plot that unfolds with time, there aren't any super special effects, no fancy camera-work and despite all that, it still appeals to me – like many other simple films have. Normally I'd vote for a 7 on 10 for it being so smooth, but I left the cinema thinking about other probable outcomes, as I wasn't too happy about the way it ended… It was certainly possible, but I still wished it hadn't happened – but then I wonder how else would I have made the end to this film?? For having created this conflict in me, I'd like to give this film an 8 on 10.

And for the doubtful ones out there, reading this review to make up your minds – I dedicate this, my first IMDb review to you – go for it, you won't regret it!

Who gives us a truly remarkable, all-out, Oscar-worthy, showcase performance as a living-in-denial, abrasive-mouthed, fortyish and usually sporting that oh-so-disheveled-buy- me-a-few-drinks-and -I'll-go-home-with-you -but-won't-remember- or-care-in-the-morning- out-and-out-lush-look...with serious stability/maturity issues...And that, ladies and gentlemen, pretty much sums it up!

Swinton practically carries the whole movie on her more-often-than-not -slipping-out-of-her-dress shoulders! JULIA, both the movie and most of all, the character, will continue to ricochet around your brain, tumultuously, long after you've reached the credits. KUDOS to Ms. Swinton! Even before her Oscar winning role as the anal-retentive executive you love to hate in "Michael Clayton", she seemed like a very competent actor...and, of course, afterwards, a truly excellent one. With her ground-breaking, perhaps best of the year, performance in JULIA, there can be absolutely no doubt her acting skills are nothing short of legendary! The only other actor who could hold her own on camera with Swinton was Kate del Castillo (Under the Same Moon), who turns in a brief but incredibly intense performance as the disturbed mother.

JULIA, the character, reminds me of how the Supreme Court used to define pornography, "Totally and utterly devoid of any redeeming social value". What is truly mystical about Ms. Swinton's performance is that despite portraying a detestable and neurotically unpredictable human being, she manages to plant a seed of expectation and compassion in the viewer's mind. Throughout the film, there is a flicker of hope that, somehow, someway, things will manage to right themselves. JULIA certainly manages to pull the proverbial rug out from under your feet on more than one occasion. My hands are tied when it comes to discussing the final 3 or 4 minutes of the film.(NO SP___LERS HERE, NO SIREE!) but you absolutely mustn't give up on JULIA beforehand. Please, be patient! Everything hinges on that final scene! Soon afterwards, upon reflection, the real implications will remind you that things aren't always what they seem! Immediately after viewing JULIA, 6****** was my initial reaction. After all my cerebral dust has settled, JULIA rates a rock-solid 8********! DEC.29-21.