King Arthur

2004

Action / Adventure / Drama / History / War

121
Rotten Tomatoes Critics - Rotten 30% · 187 reviews
Rotten Tomatoes Audience - Spilled 59% · 250K ratings
IMDb Rating 6.3/10 10 180624 180.6K

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Plot summary

The story of the Arthurian legend, based on the 'Sarmatian hypothesis' which contends that the legend has a historical nucleus in the Sarmatian heavy cavalry troops stationed in Britain, and that the Roman-British military commander, Lucius Artorius Castus is the historical person behind the legend.

Director

Top cast

Mads Mikkelsen as Tristan
Keira Knightley as Guinevere
Graham McTavish as Roman Officer
Ray Stevenson as Dagonet
720p.BLU 1080p.BLU
751.19 MB
1280*720
English 2.0
NR
23.976 fps
2 hr 6 min
Seeds 12
1.80 GB
1920*1080
English 2.0
NR
23.976 fps
2 hr 6 min
Seeds 23

Movie Reviews

Reviewed by clydestuff 6 / 10

King Arthur as an E True Hollywood Story

The first time I had a chance to meet up with King Arthur somewhere back in the ancient legendary time of the sixties, he wasn't a king at all. He was only a squire who liked to go around being called by the nickname Wart. Along came this wacky David Copperfield type of guy named Merlin who thought he could make something out of Wart by turning him into a fish, a squirrel and a bird. All Wart wanted to do was be a squire which kind of ticked Merlin off and he left for a while. Eventually Wart found this special sword called Excalibur stuck in a stone that looked kind of like an anvil, pulled it out, changed his name to Arthur and became King. Of course there's more to the story as told in the unofficial sequels Excalibur and First Night but it has been the Disney version that will forever be ingrained in me. According to Director Antoine Fuqua, Producer Jerry Bruckheimer, and writer David Franzoni however, all those stories are a bunch of hooey. They have taken it upon themselves to bring to the screen, 'the untold true story that inspired the legend.' And apparently, Disney also must have got tired of the big lie being told by The Sword in the Stone because it's their Touchstone division responsible for distributing this film. In King Arthur, it seems that Arthur's (Clive Owen) real name is Artorius but his Knights call him Arthur because if they had to call the film King Artorius everyone would be dazed and confused about the subject matter. The Knights are all present and accounted for though, including Galahad (Hugh Dancy), Lancelot (Ioan Gruffudd), and Gawain (Joel Edgerton), and they follow their exalted leader Arthur around battling here and fighting there because they aren't just knights they are also slaves of Rome. It seems they have to fight for the Romans for fifteen years to gain their freedom and Arthur is their best bet to stay alive for any length of time. That would make anybody a loyal follower wouldn't it? Unfortunately, on the day the Knights are supposed to be given their freedom, this Roman bishop comes along and says not so fast, you have to do one more little all time dangerous mission for us. It seems the Roman's have problems of their own back home so they've decided to leave Britannia for good. At about this time the Saxons led by their fearless leader Cerdic (Stellan Skarsgard) are ravaging the country and killing everyone they come across. There is however this Boy out there somewhere that is supposed to become a bishop in Rome whom Arthur and the gang must rescue before Cerdic gets to him and his family which means Rome would be minus a bishop and King Arthur would be without any plot. To make matters worse, there are the natural inhabitants of Britannia known as the Woads trying to reclaim the land for them selves. The Woads are led by Merlin (Stephen Dillane), who wants to convince his enemy Arthur to join forces with him to rid the land of the Saxons. Lest you ask why Merlin doesn't use his magical powers, the answer is because in this the 'true story' Merlin is no longer a magician. He's just a guy out there in full guerilla warfare makeup doing army type grunt work shooting arrows and setting traps.Of course any story about King Arthur has to have Guinevere (Keira Knightly) in it somewhere and she pops up here also. She is not the lovely, soft spoken beautiful Guinevere prone to hanky panky with Lancelot. She's a sprightly lass who can shoot an arrow like nobody's business and swing a sword that weighs about ten more pounds than her body weight as effortless as if it were a light saber straight out of Star Wars. So do you want to know how does Guinevere get hooked up with Arthur? Either go see the movie or read some other review because I can't take everyone's world of discovery away can I?As you can tell, most of this is dreary stuff. Arthur, like most film heroes these days spends a lot of time soul searching and questioning his career choices. Of course he is aided by the constant nagging of Guinevere to get him to do the right thing. The Knights tell off color jokes dealing with penis size, bodily functions and illegitimate kids. Their conversations are supposed to lighten the mood but the audience I saw the film with only gave a light scattered chuckle once or twice. They were probably trying to figure out as I was what this dialogue was doing in a story that takes place somewhere around 400 A.D. There is a round table here, but it makes only a brief cameo appearance. Lancelot and Guinevere do eyeball one another a couple of times but I don't think there was any passion involved in those looks. Perhaps they were wishing they could do a remake of First Knight instead of this.Believe it or not there are some good things here. Slawomir Idziak's cinematography is breathtaking whether it's the scenes in dark hidden abysses of the forest, a light snow falling in the countryside, or a trek through the snow covered mountains. I will admit to the fact that a couple of times it irritated me how blue the sky was during one fog covered day, and during the early scenes of snow falling to the ground but that's a minor quibble. The battle scenes likewise are well stage and are fought in full close up with little if any dependence on a bunch of CGI created soldiers. One particular battle that takes place on a frozen river bed with cracking ice is in itself almost worth the price of admission. However, the battle scenes also seemed to be somewhat sanitized in order to help garner the precious PG-13 rating. We seldom actually see any sword strikes because magically the victim always seems to have the wrong side posed for the cameras. Most of the blood that pops up is some splattered spots we see on the faces of the Knights afterwards. It gave the film more of a 1950's gladiator feels to it, before blood was allowed to spew across the silver screen by the buckets full. In 1955, that was okay, but in 2004 it only makes the scenes feel that much more artificial.As for the acting, the cast does a pretty good job with what they have to work with. Owen is good as King Arthur, although the script makes him appear as somewhat of a dim wit for his blinding loyalty to Rome. Stellan Skarsgard as Cerdic the leader of the Saxons brings some true seething evil to the screen. And despite the oddity of watching someone of her stature battle and fight as well as the Knights, Knightly does quite well as Guinevere.You won't hate yourself if you watch King Arthur. The battle scenes and cinematography are worth a look see at least once. The story is just okay enough to keep you interested, but it's one you'll forget about a few days after watching. What the film really lacks is the fantasy, romance, involving characters and magic that is usually included in any King Arthur story. Instead we just get a film about warriors with a convenient plot line used only to get us from point A to point B. And since the makers of this film feel that fantasy is such a terrible thing and they must destroy the myth, I have no choice but to bestow upon King Arthur my grade of C-. The next thing you know some film maker will try to convince me there is no Santa Claus or Easter Bunny either. What's the world coming to?
Reviewed by marston 7 / 10

The realism behind the magic

In recent movies coming out of Hollywood there seems to be a trend towards attempting to unveil the true character behind some of history's most mysterious individuals. With most of us having been brought up on tales of a medieval King Arthur and the magic of Camelot, it was a risk for those who initiated this movie to attempt to expose the man behind the myth, so to speak. In my opinion, through a combination of realistic battle scenes, stunning cinematography and well rounded characters this movie is successful.

This tale takes us on a journey with King Arthur's knights as they embark on a final quest for Rome. The issue of religious persecution is raised on numerous occasions in the duration of this movie and relates to contemporary circumstances where religious belief can be used as a form of power and means of superiority. Themes such as this raise the film above the average Bruckheimer production. However, the dialogue is still cliché in places, and mid-battle jokes can fall flat on audiences that have grown weary of them in films such as LORD OF THE RINGS and PIRATES OF THE CARIBBEAN. Fortunately, the battle scenes are realistic and don't bombard us with Jackie Chan like maneuvers that the knights have suddenly and inexplicably learned.

The movie is beautifully shot with a variety of landscapes ranging from Hadrian's Wall to icy snow-covered hills and peasant villages. This ensures that the audience always has something new to look at, but also paints a realistic picture of the poverty and harsh environment of the time.

My only complaint about this film would have to be that some of the acting and characterisation was a little disappointing. Clive Owen's 'Arthur' was a little internalised and predictable. While other characters, such as Lancelot (Ioan Gruffud), are fabulously flawed, Arthur is always thinking of others and making the right decisions. His humanity never falters. Owen delivers his lines woodenly and without the passion one wishes to see from such a great warrior and humanitarian. Whilst the writers have dared to put a different spin on the characters of Lancelot and Guinevere (Keira Knightly), they seem to have stuck with the Arthur of legend. Knightly's performance was certainly nothing special. Her role in the movie was unclear as she seemed to only be there to run around in skimpy outfits, although I'm sure the intention was to create a strong female character. I thought her survival in battle was unrealistic as she was much smaller and weaker than the thousands of large trained warriors she was fighting, particularly since she had apparently nearly starved to death after being walled up in a tomb for her Pagan beliefs. Although Knightly is beautiful, her performances in movies thus far have yet to convince me of her acting abilities.

Overall, I thought this movie was unique in that it depicted a time not often portrayed in modern cinema. It had strong themes with a good mix of humour, romance and action. Although the film had its flaws, I would definitely recommend it as I believe it would appeal to a wide audience.

Reviewed by raulfonseca 6 / 10

A myriad of lost chances and clichés

I have just seen King Arthur and what a disappointment! I have seen heaps of movies, and I am able to stomach a lot, having enjoyed mediocre films like, Van Helsing for instance. Van Helsing at least was silly, but had no pretensions of being anything else, King Arthur on the other hand, is a little movie, very predictable, filled with plot clichés that you have seen in countless other motion pictures, but has pretensions of being something extraordinary. Well, surprise, surprise it is not! There is not even enough camp in this movie to grant it a sort of je ne se quois to make it enjoyable. Even the soundtrack is a rip off of Gladiator, without even fitting the movie adequately. Hans Zimmer should know better than to copy/paste from is own work, some of us might notice!

Most of the acting is pretty good. I have especially enjoyed Ioan Gruffud as Lancelot and Clive Owen and Arthur, both of them make a very good effort given the silly lines they have, especially Owen who's lines are extra silly. Most of the actors are competent with the exception of Til Schweiger as Cynric and I felt that such a great actor as Stephen Dillane (Merlin) was completely wasted and given no chance to show is quality.

The direction was pretty bad and uneven. Antoine Fucqua doesn't show the talent he has demonstrated in Training day or even Tears of the Sun, the movie is a mess from start to finish. Visually, I must admit, it looks good. Slawomir Idziak's cinematography is really good and I hope to see some of his work in the future.

I have a lot more problems with this movie which I won't detail much further, with the exception of two that I cannot overlook. First of all, trebuches (the catapult thingies) were invented by the French during the 100 year old war, several centuries later, and not by Merlin. In a movie that brags about historical realism and accuracy, this strikes as odd. Besides, if Merlin had this kind of weapons, why not used it against the Romans in the first place? Another gripe, and this a big one, is the complete absence of gore! Did people in the "Dark Ages" not have blood? The battle scenes are violent but no blood! What's the point? Again if you want to have a realistic take on this period of history, why the absence of realism in the battle scenes? Do the filmmakers think that a PG-13 rating will get them more money at the box-office? Having seen this mess I seriously doubt it!

Summarizing, this movie is a complete mess with the exception of some of the performances, namely the Knights and most of all Gruffud's and Owen's acting. As for the rest, it is dumb, predictable, not very original in terms of plot and a complete disappointment! Long live Excalibur (John Boorman) that with it's 23 years it is still the best Kig Arthur story in movie history.

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