Kurenai no nagareboshi

1967 [JAPANESE]

Action / Crime

1
IMDb Rating 6.7/10 10 210 210

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Plot summary

A young yakuza hitman named Goro does a job and needs to hideout away from Tokyo for a while. He hangs out with loose women and hard men and always manages to stay one step ahead of the law. In his exile, he comes under suspicion for a murder and meets the girlfriend of the murdered man. They develop a strange bond while unbeknown to Goro, another hitman is after him for the job he did in Tokyo.

Director

Top cast

Jô Shishido as (as Joe Shishido)
720p.WEB 1080p.WEB
895.4 MB
1280*510
Japanese 2.0
NR
us  
23.976 fps
1 hr 37 min
Seeds ...
1.62 GB
1888*752
Japanese 2.0
NR
us  
23.976 fps
1 hr 37 min
Seeds ...

Movie Reviews

Reviewed by shishido

Knock-out 60's Action from Nikkatsu!

Much has been made of the debt this great film, by director Toshio Masuda, owes to Jean-Luc Godard's "Breathless"--and to be sure, it has many (most likely intentional) similarities. Yet, "Kurenai No Nagareboshi" (known here as "Velvet Hustler") is actually a faithful remake of Masuda's own 1958 film, "Crimson Seaport"--a film made a full year before Godard's picture. That being said, "Velvet Hustler" is another in a long line of knock-out Nikkatsu action films from the 1960's. Though this film is highly entertaining, and very worthy of repeated watchings, it should be noted that it is a fairly typical example of the type of action/exploitation films Nikkatsu Studios turned out (by the scores!) at this time. In short, this is a greatly enjoyable programmer that we are lucky to have available to us here in the USA. I only hope that more of Nikkatsu's excellent 1960's output sees release on video stateside!
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Reviewed by Jeremy_Urquhart 7 / 10

A neat crime movie, even with some flaws

Velvet Hustler follows an assassin who goes into hiding after a job, but as things often go in these kinds of movies, remaining underground proves all but impossible. At the same time, he also can't seem to help getting into trouble, leading to a lot of fun chaos for the earlier parts of the movie, followed by more serious consequences explored in the film's later scenes.

I really loved the style, energy, and color of the first hour. In its final half-hour, it becomes a little more grounded and serious (and has far fewer random brawls, which were a consistent source of entertainment in the first hours or so).

I thought it was writing itself into a corner narratively, but it did still end a little differently than expected. So I can't say the last act was bad, and it definitely didn't hurt what came before. It's more that it was a movie where I really liked two thirds, and thought the remaining third was just alright.

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