This is a strange movie, but not completely bad . Only the ending is quite usual and poor - but the second part, after the first boring 30-40 minutes, worths the time wasted. I rented it because the presence of John Malkovich, who makes a funny cameo, and watched very perplexed the first part, really too slow and without new glances on the matter. Some moments are quite poetical, others just banal - the music is splendid, even if not clearly listed in the credits. Sometimes it seems old Italian Opera, but with a trivial remake. The actresses aren't equally good, and some stories (there are more) are simply lost in the ongoing of the movie. In certain situation remembers Polansky's "Who?". This may be a good exercise for movie lovers.

This is an off-beat yet charming feminist comedy with a deft dialogue and great photography. The cast is top-notch, in particular Lorraine Bracco and Molly Parker. However John Malkovich's unconvincing turn as Italian Lothario Roberto is both funny and embarrassing but you wonder if that was the intention in this slyly witty Italian production set in Montreal. The conceit of the ladies room is handled well and becomes the centrepoint for anxiety and female companionship. This is, in effect, a celebration of female solidarity in a very surreal, Italian way with a quirky Canadian twist. It's not for everyone's taste but it's better than most films that call themselves comedy today. Expect the unexpected.

While the film is most definitely not what the video cover would suggest (a farce), it does turn out to be a wonderful surreal comedy, with (gasp!) a point to the story. I understand why some may be to say the least disappointed however, I found it to be very entertaining art piece, which is not easily done. Recommended for viewers who enjoy something a bit off (not in a screwball way, but in an artistic way). Those who are looking for a good classic farce (and I love a good farce) are better off with "Clue" or "Noises Off", two of my personal favorites.