It probably wouldn't be fair to just trash this film out of hand. There will doubtless be many who find the pro-life message it emphasises life-affirming. As a piece of cinema, though, it is a shockingly simplistic and one-sided attempt to suggest to young women facing that most difficult of decisions that all in the garden is ridiculously rosy! We start with "David" (the easy on the Raphael Ruggero) whom we discover has been adopted by the Christian (that's important) Colton family - "Jimmy" (Kirk Cameron) and "Susan" (Rebecca Rogers). They live a happy life with the young man a keen wrestler about to go on to college. Sadly, though, injury befalls him and after surgery to relieve pressure on his brain - the recovery from which would put Lazarus to shame - he has to rethink his plans. Meantime, his birth mother realises that he is now eighteen and so attempts to get in touch. The rest of this rather sentimentally cheesy drama follows a slightly nauseating path, I found, aided unhelpfully by his rather irritating mate "Nate" (Justin Sterner) who insisted on filming everything on his phone - even some of the most sensitive and personal moments as the story evolves with an almost menacing degree of indoctrinating pontification - subtle, yes - as an air raid! The acting, especially from the adults, is twee and pedestrian in the extreme with adulation and fawning galore as we plod along towards an ending that I found supremely condescending. This is at best, a mediocre television movie that should only be shown in cinemas with a warning that it completely lacks any sense of balance. The soundtrack is also banal - plinky plonky piano chords just to reinforce the gloopiness. I didn't hate it. Cameron et al are entitled to their point of view, but if this is supposed to be in any way educational or realistic, then I'm Tom Thumb!

The plot of this film has been done a few dozen times before. Sometimes, the subject matter has been handled sensitively, and most other times the subject matter was handled shabbily. The old story of the birth mother wanting to reunite with the child who has been adopted can easily fall into the cornball acting syndrome. Fortunately for this film and its actors, it does not. The script is intelligent, the actors are believable, and the situation is handled in a sensitive manner. All of these good variables make this an easy decision to recommend this film to the public. The only reservation I have about the film is its overreliance on religion.