Love and Bullets
1979
Action / Crime / Drama

Love and Bullets
1979
Action / Crime / Drama
Plot summary
Jackie Pruit is the girlfriend of notorious gangster Joe Bomposa. When it looks as if Bomposa's goons are threatening Jackie's life, the FBI moves in to protect her, hoping that she'll have incriminating evidence. Veteran agent Charlie Congers is assigned to watch over Jackie, and while it soon becomes apparent that she knows almost nothing about Bomposa that would be of any use to the FBI, he falls in love with her. Bomposa decides it would be more convenient to have Jackie out of the way, ordering her to be executed. Bomposa's henchmen slip through FBI security and murder her, but now they have to answer the angry and vengeful Congers.
Director
Top cast
Tech specs
720p.WEB 1080p.WEBMovie Reviews
Thrilling movie in which a detective is assigned a special mission to Switzerland
All we need is love.
What's on mind
love definitely more so than bullets. The premise seems rather straight-forward, but within the context is a primarily downbeat and melancholic angle. The crime/thriller slant is pretty low-key (as the chase scenes leisurely tick along) with the main focus being on the three performances; Charles Bronson, Jill Ireland and Rod Steiger and the eventual bonds that are crafted and from that the situations that occur. Love follows on
tragedy also with guts and grit winning out.
Police detective Charlie Congers has been picked to head to Switzerland to rescue an ex-mistress of crime boss Joe Bomposa who now wants her dead. Getting her first means a chance to probably convict Bomposa, but is she as innocent as she claims to know anything of importance about his crime ring.
I'm not particularly surprised to see this Bronson outing become a forgettable title in his career that rarely sees daylight, and those who had seen it mainly want to bombard it for being tedious and bland. I didn't feel that at all. It has a very European vibe to the get-up with a stylish and almost uncommon development. Stuart Rosenberg's textured direction (who replaced John Huston) is economically surefooted, as he works with the beautifully moody and authentic European backdrops (that the compelling cinematography frames) and constructs moments of high-strung suspense. Plentiful they're not, but those few are well-executed. I just wished that the dangerous side wasn't kept in check. Writer Wendell Mayles' (the man behind 'Death Wish') minimal screenplay is simply old-fashioned and the pacing is quite relaxed. Concisely structured. but nothing surprises
well the final climaxes do come up and pinch you. Were I thought it achieved a rather powerful imprint was because of Lalo Schifran's arousing score. It was exotic, colourful and flavoured. Never did it not make some sort of impression. I would say it's up there with his inspired score for 'Dirty Harry (1971)'. He knows how to place the action or feelings on screen with music and successfully push the buttons.
A strong cast do a serviceable job. Bronson's impassively stalwart turn fits accordingly and his chemistry with an empathic Jill Ireland (his actual wife) pays dividends. She was practically in nearly every movie he made during this period. Rod Steiger puts in an outstandingly staggering performance that grows with believable weight. Henry Silva and Paul Koslo hold up well in the bad guy roles. Also featuring with fine turns are Bradford Dillman, Strother Martin, Michael V. Gazzo and Val Avery.