At times, this M Leroy directed film gets a little heavy handed as this is one of the rare times that Leroy, often an erratic director for hire, did an entire film himself & got credit for it. Overall though, his effort here is very satisfactory.

Based upon Eve Curies book, this film follows along pretty factually the Marie Curie story leading to the couples isolating of Radium in their lab after 4 years of work. The film concentrates on the relationship that forms between Pierre & Marie & the science. The script actually allows for a nice balance there.

Greer Garson is great as Madame Marie Currie. I can't see many other actresses doing as was as she does in this role. Walter Pidgeon is excellent as Pierre & it is these 2 leads that make the film a good one. There is some quick supporting work from Van Johnson but nothing about his cameo really does a lot for this particular film.

This film does show the MGM studio quality as it existed in the 1940's as it goes over very well & is well produced. MGM came into World War 2 as the premiere studio & this film was a strong entry in the biographical film category. It is very obvious that even though the film is set in France near Paris, that Paris was not available for location filming due to the war.

This is a very good film for it's era, being factually based & really painting a positive portrait of who Marie & Pierre Curie were & why they were important in the history of science. It does give short shrift to the couples kids but at over 2 hours the film has too much to cover to do otherwise.

Greer Garson and Walter Pidgeon star in "Madame Curie," the story of the famous scientist.

Actually what is included in the film is quite accurate but much is left out, which is normal. The film begins with the Polish Marie meeting Pierre when she is a student in Paris and shares his laboratory. Both of them are too involved in their science careers to get married, but they fall in love and do marry.

When Marie becomes interested in uranium rays, Pierre gives up his research, and the two work together. It's grueling, disappointing work, but they don't give up. The movie shows just how detailed and difficult it was in their makeshift lab.

This is a beautiful film about a great woman. I happen to think Greer Garson is wonderful, as is Walter Pidgeon. They worked so well together, just as Marie and Pierre did - true partners. Of course, Marie is in her sixties (she died at 66) at the end of the film and looks 90. Typical Hollywood aging - either no aging or decrepit.

Marie Curie, of course, didn't understand the dangers of radium and used to put isotopes in her pocket and in her drawer, and would comment on the light emitted from the drawer. She had several medical problems due to radiation poisoning and eventually died of it, as did her younger daughter and son-in-law. Strangely, her daughter Eva died in 2007 at the age of 103! Go figure. Eva chose Greer Garson to star in the film.

If you want to look at Marie Curie's papers and books today - they are still radioactive and one has to wear protective clothing. Like Marie Curie, they still emit light.

Marie Curie was an inspirational, ahead of her time and important figure, a pioneer in her field while having to deal with and overcome a lot of significant adversity. Her story is a fascinating one as well as complex, and was both intrigued as to whether a feature length would be enough to do it and her justice. It was hard to not say no to seeing 'Madame Curie', as Mervyn LeRoy was a very dependable director who did make some truly fine films (i.e. 'Random Harvest') and the cast promises a lot.

On the whole, 'Madame Curie' was very well done, infinitely superior to the recent 'Radioactive' that had a great lead performance but was mostly very disappointing. It is not easy making an interesting and accessible film of this subject, which absolutely fascinated me but may be too complex and dry for others less familiar with Curie and her contribution to science, but 'Madame Curie' does so admirably if imperfectly. Although it is not perfect, there is a lot to admire.

Will start with what 'Madame Curie' does well. It is impeccably made and produced, with sumptuous sets and costumes complemented beautifully by even more elegant and suitably glossy cinematography. The music doesn't get too melodramatic or over-scored, while still excelling in bringing out the story's emotional core without overdoing it. LeRoy directs sympathetically while still being involved, seldom feeling leaden. The script is intelligent and well meaning, if occasionally rambling.

The story is more respectful to the truth than expected, given the general reputation of biopics straying from the facts. Not only is the personal life element emotionally investable and not soapy, everything with Curie's findings more accessible than expected also. One wasn't too favoured over the other, the characters aren't too sketchy (Curie and Pierre are both interesting) and the film does a far better job than 'Radioactive' at how progressive her findings were, their influence in science and how her mind worked. As well as the extent of the adversity that she faced. The first third is especially entertainingly and sensitively done and the more serious middle act is more serious yet fascinating.

Greer Garson may not look like Curie but her performance is still sincere, forceful and deeply committed. She is great at making Curie an interesting character and a real person rather than an icon or caricature, with so much to admire yet with flaws. Walter Pidgeon is a reliably strong presence, superb in his delivery of the speech to the jeweller, and their chemistry is magic. The rest of the acting shows fine talent giving their all.

It's not perfect, with some very sluggish pacing in the final third. Which also felt too thin, predictable and like the film had run out of steam. Pidgeon is the best thing about this section of the film.

Concluding, very well done and interesting. 8/10.