Maria's Lovers

1984

Action / Drama / Romance

15
Rotten Tomatoes Critics - Rotten 43% · 7 reviews
Rotten Tomatoes Audience - Spilled 60% · 500 ratings
IMDb Rating 6.5/10 10 3041 3K

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Plot summary

A World War II prisoner returns home to his childhood sweetheart. However, back home, he discovers that he has to compete to win her love.

Director

Andrey Konchalovskiy Photo
Andrey Konchalovskiy

Top cast

John Goodman Photo
John Goodman as Frank
Nastassja Kinski Photo
Nastassja Kinski as Maria Bosic
Keith Carradine Photo
Keith Carradine as Clarence Butts
John Savage Photo
John Savage as Ivan Bibic
720p.BLU 1080p.BLU
1004.48 MB
1280*682
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 49 min
Seeds 3
1.82 GB
1920*1024
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 49 min
Seeds 8

Movie Reviews

Reviewed by ZeddaZogenau 7 / 10

Post War Drama with GOLDEN GLOBE winner Nastassja KINSKI

Nasti KINSKI and all the lovers of MaryAt the beginning of the 1980s, German actress Nastassja KINSKI began her astonishing and wonderful rise to becoming a world-famous GOLDEN GLOBE winner (she received the trophy for her title role in TESS). In the years following this brilliant start to her career, she established herself as a busy actress in Hollywood, but had significantly less success at the box office than she had hoped. As a result, many of the films she made back then were all too quickly forgotten. When a then Soviet Russian director like Andrei KONTSCHALOWSKI made his very first Hollywood film with her in the lead role, it could only have gone wrong, as was often etched in the newspapers at the time. Not even close! MARIA's LOVERS from 1984 is an astonishing film that the German-French television station ARTE graciously made available to interested audiences again a few months ago.At the beginning there are remarkable documentary recordings that director legend John HUSTON shot immediately after the Second World War. American soldiers clearly suffering from post-traumatic stress disorder! After the First World War, such men were still called "war tremors". Just such a soldier is young Ivan Bibic (John SAVAGE), who wants nothing more than to marry his childhood sweetheart Maria (Nastassja KINSKI) after the end of the Second World War. Although she is still with the handsome Al Griselli (Vincent SPANO), she then marries Ivan, to whom she is genuinely fond. But that's just where the problems begin, because Ivan suffers from erectile dysfunction due to the mental stress during the war. It goes without saying that this is not good for the young marriage at all. One day a traveling folk singer (Keith CARRADINE) comes to the poor steelworker town...KONTSCHALOWSKI dares to do something! As a film director from the Soviet Union, he dares to create a modern story about the Virgin Mary, which is supplemented by a very sensitive topic. There are not only attractive pictures of the beautiful Nastassja KINSKI to see. John SAVAGE in particular, who is best known from the exciting musical HAIR, had to film some intense scenes here. Some things make others ashamed, others - like the rat in the mouth - are really absolutely disgusting! But that makes this film something special, but one that you should consciously get involved with. This is not for the faint-hearted!Other roles include the indestructible Robert MITCHUM, the sensual Anita MORRIS and the brilliant John GOODMAN. This remarkable film also had far-reaching consequences for the fabulous Nasti KINSKI. In real life, her actor colleague Vincent SPANO became the father of her first child.
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Reviewed by JuguAbraham 8 / 10

Of eyes, rats and a chair that survives time in an empty field!

What an underrated film!

Symbols: a chair in an open field that survives years, the lure of eyes of a woman/wife, and a bleeding, pregnant rat!

This is a film about love between a man and a woman, a husband and a wife--and how it lasts for ever.

This is also a film about a dying father and son, of a mute elderly mother and a daughter.

The chair, the eyes, and the rat are all essential to the film. The chair is repeatedly shown. Eyes are mentioned by Ivan's father about Ivan's dead mother. Eyes are essential to the song sung twice by Keith Carradine's character. Rats are symbolic of past, present and future of Ivan's sexual life.

Into the film, perceptive viewers could compare and contrast the two different reactions of Ivan when two Maria's lovers taunt him. Yet the film is more about Maria and less about Ivan.

Very Russian, very European, though the settings are American. The soul of Russian literary giants permeate through the film. A lovely shot towards the end is the silhouette of father (Mitchum) and son (Savage). You can get the feel of Tarkovsky's friend and colleague at work. It is sad the film has not been noticed/applauded better.

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