Minbo

1992 [JAPANESE]

Action / Comedy

4
Rotten Tomatoes Critics - Certified Fresh 100% · 6 reviews
Rotten Tomatoes Audience - Upright 74%
IMDb Rating 7.4/10 10 1233 1.2K

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Plot summary

An upscale Japanese hotel hires Mahiru Inoue, a lawyer adept at dealing with the Yakuza, to help them rid their hotel of the local gangsters so they can get a contract for a meeting of important foreign officials.

Director

Top cast

Tetsu Watanabe as Akechi
Masahiko Tsugawa as The friend of GMEN
Akira Takarada as Kobayashi
Takehiro Murata as Wakasugi
720p.BLU 1080p.BLU
1.11 GB
1280*692
Japanese 2.0
NR
23.976 fps
2 hr 3 min
Seeds 2
2.06 GB
1920*1038
Japanese 2.0
NR
23.976 fps
2 hr 3 min
Seeds 6

Movie Reviews

Reviewed by movedout 6 / 10

Not Itami's best, but definitely worth a place in his oeuvre

The rumours go that the Japanese director Juzo Itami was attacked by the Yakuza due to the realistic and disrespectful portrayal of them in his 1992 comedy "The Anti-Extortion Woman" or more commonly known as "Minbo". Realistic? I can't say for sure. But was it disrespectful? Absolutely. Itami crafted a niche for himself in the early 80s and late 90s with off-kilter comic gems that reveled in their absurdity and dealt with unusual subject matter, starting with his hit, "Tampopo". This feature definitely extends that offbeat sense of humour coupled with his darkly tailored undercurrent of social criticism in a simple plot that unfortunately is neither biting nor potent enough to warrant its lengthy runtime and exaggerated mode.Minbo according to the attorney Mahiru Inoue (Nobuko Miyamoto) is slang, a truncated term for something that lawyers understand as the gentle art of extortion used by the Yakuza. She's somewhat of an expert in these matters as we see in a promising first scene at the poolside in Hotel Europa, a first-rate hotel competing for the attention of foreign delegates. However, the hotel's reputation is tarnished with the continued presence of the different Yakuza families who use the grounds as either meeting/exchange places, lounging areas or even to cheat the hoteliers out of some yen. The boardroom decides on taking action by assembling an Anti-Yakuza force from within but only manages a schmuck accountant and a meathead bellboy, both with plenty to learn about the world they live in. After an inspired introduction to both of them, the film gets down to the nitty-gritty of them failing to get rid of these foul-mouthed, shrewd gangsters. Well, this movie isn't called "The Anti-Extortion Woman" for nothing. And after about a dubious quarter of the film, we finally get to be truly acquainted with Miss Inoue, which really puts the opening scene's purpose into perspective.She's here for a reason and that's to help the hotel and in the process teach these men a thing or two about being men. The film is strongly attuned to its titular character with her presence alone driving the film forward in terms of its comedy and plot. She faces up to overly confident mob bosses and talks them down to the hilt with her legal expertise and well-prepared plans that rely on surveillance and the need to be vigil in the face of overwhelming threats. It's novelty wears thin after awhile though, when she uses the same strategies over and over again with the new gangsters that show up. However, it can't be understated that the film's bulk of coherence lies with these scenes as she mentors the hotel into self-defending itself against these thugs.Nobuko Miyamoto, Itami's wife is often cast in his films in a variety of roles. Her role as Inoue is by far the strongest in the cast that is usually prone to overacting and embarrassingly over-the-top theatrics that can actually be described as vaudevillian. She brings a deep sympathy and caring into her role as a confident but never hubristic seasoned attorney that specialises in Minbo. She never talks down to the dolts in the casts and is believable in her persuasiveness with the Yakuza and Itami wisely revolves an inert comedy around her pint-sized figure being surrounded by pompous, large men that inevitably fall to her knees. She even changes a massive shift in tone by coming up strong in an uneven denouement at the end, finally wising up everyone else to the virtues of being strong even in the face of hardship.Rating: 3 out of 5
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Reviewed by maurazos 8 / 10

Real yakuza

I have been so happy and satisfied to watch that Itami's movie. I have seen so many yakuza films, from the best contemporary directors of the gender (Fukasaku, Kitano, Miike), but maybe this is the first time I had the feeling of watching a real approach to yakuza's reality. Many books and studies on Japanese cinema says that the so famous Fukasaku's "Battles Without and Humanity" gives a more real image of what yakuza is, where traditional gentlemen behaviors are substituted by more rude and bloody ones. And it's true, but anyway Fukasaku's films still provided a very unreal image of Japanese gangsters, who spread their deaths in thousands of litres of blood. Itami's "Minbo no onna" goes further and shows reality, the dark reality that yakuza does not want to be known (and because of it, Itami was attacked by some yakuza members). This movie shows us that yakuza is not another dimension of Japanese society, but it is actually a dangerous and active part of it. "Minbo no onna" is a very iconoclastic film too, because it definitely breaks the romantic image of the Japanese criminal societies and shows all their bad points: cowardice, lack of honor (they just appear to be interested on it, but they actually have no honor), pure interest on money... 100% reality. Not to be missed.

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