It's hard to believe it's been 63 years since Jane Fonda's big screen debut in "Tall Story", and her longevity has as much to do with her commitment to the characters she's played as it does to her innate talent in inhabiting them. Looking better here than in her other recent films like "80 for Brady" and "Book Club", she plays Claire, an eightysomething Ohio woman who flies to California to attend the funeral of one of her closest friends Joyce. Once at the wake, she confronts Joyce's widower Howard and asserts she will kill him that weekend for committing an unspeakable act a half-century earlier. The plot turns on this revelation into a prickly combination of melodrama and black comedy as Claire pairs with her long estranged friend Evelyn, a jaded lesbian cellist who fluctuates between supporting and rejecting Claire's monomaniacal mission. With Lily Tomlin in free-wheeling mode as Evelyn, they definitely have a lot of "Grace & Frankie"-type banter, but it resonates more here because both have repressed their feelings of deep-seeded resentment about how their lives had evolved. Richard Roundtree makes a welcome return as Claire's long-ago divorced first husband, and Malcolm McDowell makes Howard a venal character worthy of Claire's wrath. It doesn't all work, but it's good to see Tomlin and especially Fonda do such strong work thanks to Paul Weitz's dexterous direction and clever screenplay.
Plot summary
Two old friends reconnect at their friend's funeral, and decide to exact revenge on the widower who wronged all three of them decades earlier.
Uploaded by: FREEMAN
May 15, 2023 at 07:50 PM
Director
Top cast
Tech specs
720p.BLU 1080p.BLUMovie Reviews
Tomlin and Especially Fonda Rise to the Occasion in a Revenge Dramedy
Beautiful film
This film is done a huge disservice by being slotted into the "comedy" genre, but I'm disappointed to see people on this site rating it as though that miscategorization were a flaw of the film itself. It should be judged on its merits, as a realistic film with a lot of dramatic, painful moments amid the more humorous ones. Painful themes of homophobia, misogyny, and sexual violence are explored, but it never gets overly didactic-everything is grounded in storytelling, and the dark is offset by the light. If you want a zany screwball comedy, go elsewhere. But if you would like a really resonant film about female friendship, strength, and resilience that also happens to have some very funny moments, please treat yourself to this gem of a movie.