Doris Roberts shows up to save the day when a widower whose rambunctious twins terrorize a parade of baby sitters. OK, we've seen a lot of this before. The bratty kids motif is a little old now, but other things going on in this Hallmark offering make for a pleasant diversion.

What Christmas movie would be complete without a romance? Erin Karpluk and James Van der Beek have some great chemistry, and each has a past hurt, setting up a mutual healing process that is the primary theme of the movie. Mrs. Merkle (Roberts), when she's not a super nanny, is a match maker, and it soon becomes obvious she has some miracle talents up her sleeve to help everybody out to a happy ending. Think a matronly version of Peter Falk's Angel Max character.

While the plot is familiar, the acting is impressive, given this was a made-for-TV movie. The cast make a fine ensemble; scenes such as the first accidental confrontation between the two estranged sisters is handled very well. Issues such as forgiveness and letting go of hurts are dealt with sincerely.

A feel-good story; entertaining enough for a stay-in evening.

This movie opens on a familiar scene of children driving away a string of housekeepers, but that's only one of the plot threads in this heart-warming seasonal movie. There's a lot to like despite the frequently-visited trope of the super-nanny straightening out the chaotic household.

What makes it an outstanding example of the concept is not only the highly relatable problems faced by the family - no over-the-top issues here - but the realistic way those problems are brought out and resolved over the course of the film.

The young boys are cute and lively but troubled. The way their inner trouble is portrayed is subtle - comments by their teachers and a brief, odd reaction from their father (the handsome and vulnerable James Van der Beek). Nanny predictably fills a void in their lives.

She also, predictably, nudges their dad gradually into delivering what his sons need from him, and what he needs from himself. Nanny's mechanism for coaxing Dad out of his funk is the delightful Reba (played by the equally delightfully Erin Karpluk with deftly handled emotional fragility), a local businesswoman with her own problems.

The romance felt a bit rushed, especially between the first meeting and the first date, and the nanny's departure was also rapid. Another reviewer complained about the speed of reconciliation in Reba's family but I found it very realistic.

In fact, one thing I particularly like was that, instead of the plot benefiting from one of those last-minute miraculous interventions so common in Christmas movies, the 'Christmas Spirit' only nudged, and the humans had plenty of chances to turn away from the inner changes needed to bring the plot to a satisfactory resolution. It felt real and probable, especially as played by Van Der Beek and Karpluk.

I'm pretty sure I'll be watching this movie again in future years.

Doris Roberts gives a wonderful performance as a Mary Poppins like nanny who comes into the life of grieving widower James Van Der Beek and his two twin sons. Her name is Mrs. Merkel but the kids start calling her Mrs. Miracle. And soon a few miracle like events start happening.

Van Der Beek is an incomplete person, he tries to play both roles with a series of housekeepers who quit on him. He won't let go of his late wife and refuses to talk to the kids about the mother they don't remember. Through the good offices of his Miracle worker he meets Erin Karpluk who is nursing a broken heart and a grudge against a sister who stole the man she wanted away. You just know that these two people are meant for each other, you just have to provide the right circumstances.

Shot in Canada this film was done for the Hallmark Channel and it's one of their better original films. Although you might think at times you're watching a feature film length episode of Highway To Heaven or Touched By An Angel, Mrs. Miracle can stand proudly on its own merits.

Definitely for fans of Doris Roberts.